Question 1

If you are photographing dark objects, you may need:&#10;A)A slightly longer-than-expected exposure than suggested by an ambient light meter.&#10;B)A slightly shorter-than-expected exposure than suggested by an ambient light meter.&#10;C)Exactly the same exposure as suggested by an ambient light meter.&#10;D)No changes are needed.Just use your in-camera light meter, meter off of the dark objects, and make your exposure.

Accepted Answer

Dark objects absorb more light, requiring a longer exposure to accurately capture their details compared to what an ambient light meter might suggest.

Question 2

Visual perception involves everything except:&#10;A)Collection of light and color information by the eye.&#10;B)Sending the visual information.&#10;C)The brand of camera used.&#10;D)Your prior knowledge and experiences.

Accepted Answer

Visual perception involves the collection and processing of visual information by the eye and the transmission of this information to the brain for interpretation. The brand of camera used is not a part of this process. Prior knowledge and experiences also play a role in visual perception, as they can influence how we interpret and make sense of the visual information we receive.

Question 3

If it is possible, position both the key light and the hair light on the:&#10;A)Opposite side of the part in the model's hair.&#10;B)Same side as the part in the model's hair.&#10;C)Same side as the background light.&#10;D)Same side as the fill light.

Accepted Answer

Positioning both the key light and the hair light on the same side as the part in the model's hair will help emphasize the texture and layers in the hair, giving it more dimension and making it stand out. This technique is commonly used in fashion and beauty photography to make the hair look more glamorous and shiny.

Question 4

Tonal values are always:&#10;A)Red, green, and blue colors.&#10;B)Cyan, magenta, yellow, and black colors.&#10;C)Grayscale, black, and white.&#10;D)None of the above.

Accepted Answer

Tonal values refer to the shades of gray between pure black and pure white. Therefore, the correct option is C - Grayscale, black, and white.

Question 5

True or false: High-contrast images always contain equal amounts of black and white in the image.

Accepted Answer

High-contrast images have a noticeable difference between the darkest and lightest areas of the image, but this does not necessarily mean that the image contains equal amounts of black and white. A high-contrast image can have more of one color than the other, as long as there is a clear distinction between the light and dark areas.

Question 6

What is the goal of the background light?&#10;A)Illuminate the entire background so it is as bright as the model's clothing.&#10;B)Illuminate the model's face.&#10;C)Illuminate the model's hair.&#10;D)Separate the model from the background.

Accepted Answer

The goal of the background light is to separate the model from the background by creating a highlight around the edges of the subject, providing depth to the image. Therefore, option D is the correct choice.

Question 7

To bring out the texture of a three-dimensional object, use:&#10;A)Front light&#10;B)Side light&#10;C)Backlight&#10;D)Fill light

Accepted Answer

Side light is the best choice as it creates shadows and highlights on the texture of the object, enhancing its three-dimensional nature. Front light and fill light can flatten out the texture, while backlight can create silhouettes and obscure the detail of the object.

Question 8

If you are using a polarizing filter at full polarized strength at noon on a sunny day, you can expect everything except:&#10;A)Your in-camera light meter will suggest the same exposure as for an exposure without the polarizing filter on your camera.&#10;B)Your in-camera light meter will suggest an exposure representing 2 stops more light than an exposure without the polarizing filter on your camera.&#10;C)The blue sky will be rendered darker than without the polarizing filter.&#10;D)Reflections off of water and shiny objects will be diminished.

Accepted Answer

A polarizing filter reduces the amount of light entering the camera, typically by about 1.5 to 2 stops, so the in-camera light meter will not suggest the same exposure as without the filter.

Question 9

Color temperature is measured in:&#10;A)Degrees Kelvin.&#10;B)Degrees Fahrenheit.&#10;C)Degrees Centigrade.&#10;D)Degrees Aperture.

Accepted Answer

Color temperature is measured in degrees Kelvin, which is a unit of measurement for temperature based on the Kelvin scale, also known as the absolute temperature scale.

Question 10

In classic portrait lighting, the fill light acts to illuminate:&#10;A)A person's entire face at a power less than the main light.&#10;B)The backdrop behind the model.&#10;C)The face so it is rendered as a three-dimensional form.&#10;D)The hands of the model.

Accepted Answer

The fill light is used to fill in any shadows created by the main light, but at a lower power, in order to create a flattering, three-dimensional look on the subject's face. It is not used to illuminate the backdrop or the hands of the model.

Question 11

In a 3:1 lighting ratio:&#10;A)2 units of light come from the key light, and 1 unit of light comes from the fill light.&#10;B)3 units of light come from the key light, and 1 unit of light comes from the fill light.&#10;C)2 units of light come from the fill light, and 1 unit of light comes from the key light.&#10;D)3 units of light come from the fill light, and 1 unit of light comes from the key light.

Accepted Answer

The answer of In a 3:1 lighting ratio:&#10;A)2 units of...

Question 12

The term &#34;short lighting&#34; refers to placing the:&#10;A)Key light on the side opposite the model's ear that is facing the camera.&#10;B)Key light on the same side of the model's ear that is facing the camera.&#10;C)Fill light on the side opposite the model's ear that is facing the camera.&#10;D)Fill light on the same side of the model's ear that is facing the camera.

Accepted Answer

The answer of The term &#34;short lighting&#34; refers to placing...

Question 13

The photoreceptors called rods are responsible for:&#10;A)Collecting and interpreting information in terms of red, green, and blue colors.&#10;B)Collecting and interpreting information in terms of cyan, magenta, yellow, and black colors.&#10;C)Sending visual information to the brain.&#10;D)Collecting and interpreting information in terms of black, white, and shades of gray.

Accepted Answer

The answer of The photoreceptors called rods are responsible for:&#10;A)Collecting...

Question 14

Diffuse reflections are typical when light is:&#10;A)Reflected through a liquid medium.&#10;B)Reflected from a smooth-textured surface.&#10;C)Reflected from a rough-textured surface.&#10;D)Absorbed and not reflected at all.

Accepted Answer

The answer of Diffuse reflections are typical when light is:&#10;A)Reflected...

Question 15

&#34;Fast falloff&#34; refers to:&#10;A)How quickly highlight turns to shadow on a three-dimensional object.&#10;B)How fast light dissipates as it travels.&#10;C)Moving from a fast shutter speed to a slow shutter speed.&#10;D)Moving from a slow shutter speed to a fast shutter speed.

Accepted Answer

The answer of &#34;Fast falloff&#34; refers to:&#10;A)How quickly highlight turns...

Question 16

True or false: A blue color temperature is cooler than a yellow color temperature:

Accepted Answer

The answer of True or false: A blue color temperature...

Question 17

What part of the camera is equivalent to the human eye's iris?&#10;A)Aperture&#10;B)Diaphragm&#10;C)Photoreceptors&#10;D)Sensor

Accepted Answer

The answer of What part of the camera is equivalent...

Question 18

What part of the camera is equivalent to the human eye's pupil?&#10;A)Aperture&#10;B)Diaphragm&#10;C)Photoreceptors&#10;D)Sensor

Accepted Answer

The answer of What part of the camera is equivalent...

Question 19

In classic portrait lighting, the key light acts to illuminate:&#10;A)A person's entire face at a power less than the main light.&#10;B)The backdrop behind the model.&#10;C)The face so it is rendered as a three-dimensional form.&#10;D)The hands of the model.

Accepted Answer

The answer of In classic portrait lighting, the key light...

Question 20

If your model has no preference as to which side of his/her face is photographed, position your model so his/her:&#10;A)Smaller eye is closest to the camera.&#10;B)Larger eye is closest to the camera.&#10;C)Smaller hand is closest to the camera.&#10;D)Larger hand is closest to the camera.

Accepted Answer

The answer of If your model has no preference as...

Deck 10: Digital Color Management and Printing