Deck 5: Rhetorical Analysis
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Deck 5: Rhetorical Analysis
1
MATCHING
-aesthetics
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-aesthetics
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
the beauty of art and the sensual enjoyment that it engenders
2
MATCHING
-affect
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-affect
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
an intensity registered directly by the body
3
MATCHING
-cluster
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-cluster
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
the way signs are associated and dissociated from one another
4
MATCHING
-connotation
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-connotation
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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5
MATCHING
-denotation
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-denotation
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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k this deck
6
MATCHING
-form
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-form
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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k this deck
7
MATCHING
-genre
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-genre
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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8
MATCHING
-rhetoric
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-rhetoric
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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k this deck
9
MATCHING
-sign
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-sign
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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10
MATCHING
-signifier
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-signifier
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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11
MATCHING
-signified
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-signified
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
فتح الحزمة
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12
MATCHING
-text
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
-text
A)the material form (sound-image) of a sign
B)first-order signification
C)messages that share stylistic, substantive, and situational traits
D)the mental concept evoked in the functioning of a sign
E)an intensity registered directly by the body
F)use of symbols by humans to influence and move other humans
G)second-order signification
H)something that refers to something other than itself
I)set of signs working together to produce a unified effect
J)the creation and adequate satisfaction of desire
K)the way signs are associated and dissociated from one another
L)the beauty of art and the sensual enjoyment that it engenders
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13
According to Ferdinand de Saussure, what are the two key components of a sign?
A) parole and langue
B) signifier and signified
C) episodic and thematic
D) denotation and connotation
A) parole and langue
B) signifier and signified
C) episodic and thematic
D) denotation and connotation
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14
According to Ferdinand de Saussure, which concept describes the material form (sound-image) of a sign as perceived by the senses?
A) signifier
B) signified
C) parole
D) langue
A) signifier
B) signified
C) parole
D) langue
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15
According to Ferdinand de Saussure, which concept describes the linguistic study of individual utterances?
A) signifier
B) signified
C) parole
D) langue
A) signifier
B) signified
C) parole
D) langue
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16
According to Charles Sanders Peirce, which concept refers to a sign?
A) object
B) subject
C) interpretant
D) representamen
A) object
B) subject
C) interpretant
D) representamen
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17
Which type of sign creates meaning through resemblance?
A) iconic
B) indexical
C) symbolic
D) referential
A) iconic
B) indexical
C) symbolic
D) referential
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18
Which type of sign creates meaning through convention?
A) iconic
B) indexical
C) symbolic
D) referential
A) iconic
B) indexical
C) symbolic
D) referential
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19
Which type of sign creates meaning through cause or association?
A) iconic
B) indexical
C) symbolic
D) referential
A) iconic
B) indexical
C) symbolic
D) referential
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20
According to Roland Barthes, which concept describes first-order signification?
A) parole
B) langue
C) denotation
D) connotation
A) parole
B) langue
C) denotation
D) connotation
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21
According to Roland Barthes, which concept describes second-order signification?
A) parole
B) langue
C) denotation
D) connotation
A) parole
B) langue
C) denotation
D) connotation
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22
Which element of narrative refers to the content plane?
A) story
B) context
C) discourse
D) narration
A) story
B) context
C) discourse
D) narration
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23
Which element of narrative refers to the expressive plane?
A) story
B) context
C) discourse
D) narration
A) story
B) context
C) discourse
D) narration
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24
Events and existents are concerned with which element of narrative?
A) story
B) context
C) discourse
D) narration
A) story
B) context
C) discourse
D) narration
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25
Tense, mood, and voice are concerned with which element of narrative?
A) story
B) context
C) discourse
D) narration
A) story
B) context
C) discourse
D) narration
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26
Distance and perspective refer to which dimension of narration?
A) tense
B) mood
C) voice
D) pacing
A) tense
B) mood
C) voice
D) pacing
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27
Order, speed, and frequency refer to which dimension of narration?
A) tense
B) mood
C) voice
D) pacing
A) tense
B) mood
C) voice
D) pacing
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28
Color, lighting, and sound all refer to which aspect of media?
A) affect
B) editing
C) movement
D) aesthetics
A) affect
B) editing
C) movement
D) aesthetics
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29
Compare and contrast Ferdinand de Saussure's theory of semiology with Charles Sanders Peirce's theory of semiotics.
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30
Identify and explain the four key rhetorical structures of text.
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