Deck 12: Erotic Analysis

Question 1

MATCHING

-jouissance

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Answer 1

pleasure of production

Question 2

MATCHING

-plaisir

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Answer 2

pleasure of consumption

Question 3

MATCHING

-abjection

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Answer 3

the casting out (expelling) of something foreign

Question 4

MATCHING

-uncrowning

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 5

MATCHING

-carnivalesque

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 6

MATCHING

-intertextuality

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 7

MATCHING

-polyphony

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 8

MATCHING

-writery

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 9

MATCHING

-readerly

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 10

MATCHING

-dialogic

A) the degradation of authority; inversion of social hierarchy
B)many voices
C)pleasure of production
D)an unending conversation between Self and Other
E)an open text that seeks an audience's participation
F)the casting out (expelling) of something foreign
G)a closed text that seeks an audience's obedience
H)pleasure of consumption
I)combination of folk humor and grotesque realism
J)the way in which one text refers to other texts

Question 11

Form, genre, and narrative are examples of what type of pleasure?

A) plaisir
B) jouissance
C) folk humor
D) grotesque realism

Question 12

According to Roland Barthes, which type of text is open?

A) readerly
B) writerly
C) comedy
D) tragedy

Question 13

Ambivalence is a characteristic of which of the following concepts?

A) intertextuality
B) polyphony
C) folk humor
D) grotesque realism

Question 14

Billingsgate is characteristic of which of the following concepts?

A) intertextuality
B) polyphony
C) folk humor
D) grotesque realism

Question 15

Which mode of intertextuality involves the caricature of another text?

A) dialogic
B) parodic allusion
C) creative appropriation
D) self-reflexive reference

Question 16

The practice of beat sampling in hip-hop music reflects which type of intertextuality?

A) dialogic
B) parodic allusion
C) creative appropriation
D) self-reflexive reference

Question 17

Which mode of interpretive play entails reading sensually (with the body)?

A) cruising
B) skimming
C) surfing
D) mapping

Question 18

Which mode of interpretive play entails reading creatively?

A) cruising
B) skimming
C) surfing
D) mapping

Question 19

Control, immersion, and performance are characteristics of which of the following?

A) interpretive play
B) direct-user participation
C) user-created content
D) fan production

Question 20

Blogs, wikis, and social networking sites are characteristics of which of the following?

A) interpretive play
B) user participation
C) user-created content
D) fan production

Question 21

Slash fan fiction is an example of what type of cultural production?

A) hipster
B) textual
C) semiotic
D) enunciative

Question 22

Obsessive analysis of a text's meaning is an example of what type of cultural production?

A) hipster
B) textual
C) semiotic
D) enunciative

Question 23

Intertextuality is a prominent characteristic of writerly texts. Identify, explain, and give examples of the three types of intertextuality.

Question 24

Grotesque realism is the underlying aesthetic of carnivalesque texts. Identify, explain, and give examples of the four tropes used in grotesque realism.

Question 25

Identify, explain, and give examples of the three transgressive practices of audiences.