Deck 6: From Romanticism to Realism
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Deck 6: From Romanticism to Realism
1
_____ Which is an implication some derived from Charles Darwin's theories?
A) Heredity and environment influence human behavior and characteristics
B) Conscience is innate
C) Shakespeare's plays should be performed as initially intended by the playwright
D) All of the above
E) None of the above
A) Heredity and environment influence human behavior and characteristics
B) Conscience is innate
C) Shakespeare's plays should be performed as initially intended by the playwright
D) All of the above
E) None of the above
A
2
_____ A Doll's House exemplifies realism in that:
A) Most of the characters are stereotypes who are consciously aware of their behavior
B) The play develops logically through a cause-to-effect dramatic construction
C) The play focuses on characters against a spectacular background
D) All of the above
E) None of the above
A) Most of the characters are stereotypes who are consciously aware of their behavior
B) The play develops logically through a cause-to-effect dramatic construction
C) The play focuses on characters against a spectacular background
D) All of the above
E) None of the above
B
3
_____Which artistic movement challenged neoclassicism in the late 18th and early 19th centuries?
A) Dadaism
B) Romanticism
C) Realism
D)Naturalism
A) Dadaism
B) Romanticism
C) Realism
D)Naturalism
B
4
_____ Melodrama encouraged the development of realistic spectacle
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5
_____ Stanislavsky believed that on stage the actor should be free to improvise spontaneously
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6
_____ The independent theatre movement:
A) Staged popular melodramas on stages specially equipped for aquatic or equine effects
B) Staged public performances of cutting edge dramas by young, unpublished writers
C) Got around the censorship laws governing public performance by staging "private" performances
A) Staged popular melodramas on stages specially equipped for aquatic or equine effects
B) Staged public performances of cutting edge dramas by young, unpublished writers
C) Got around the censorship laws governing public performance by staging "private" performances
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7
_____ Wagner's demand for "unity of production:"
A) Sought to filter all stage expressions through a single artistic consciousness
B) Sought to demonstrate the effects of environment and heredity through realistic, "box-set" scenery
C) Sought for crowd scenes to be played by large groups of actors unified by a single purpose
A) Sought to filter all stage expressions through a single artistic consciousness
B) Sought to demonstrate the effects of environment and heredity through realistic, "box-set" scenery
C) Sought for crowd scenes to be played by large groups of actors unified by a single purpose
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8
_____ The complexity involved in staging the spectacular effects required by melodrama was a contributing factor in:
A) Stanislavsky's work at the Moscow Art Theatre
B) The development of the German Sturm and Drang
C) The perceived need for a director to coordinate and unify stage action
D) The objection by censors to the public presentation of Ibsen's plays
A) Stanislavsky's work at the Moscow Art Theatre
B) The development of the German Sturm and Drang
C) The perceived need for a director to coordinate and unify stage action
D) The objection by censors to the public presentation of Ibsen's plays
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9
_____ Realism and naturalism were based on the idea that character is determined by heredity and environment
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10
_____Who is usually considered the first director, in the modern sense?
A) Konstantin Stanislavsky
B) Emile Zola
C) Richard Wagner
D) George II, duke of Saxe-Meiningen
A) Konstantin Stanislavsky
B) Emile Zola
C) Richard Wagner
D) George II, duke of Saxe-Meiningen
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11
_____ Saxe-Meiningen's company was known especially for its realistic crowd scenes
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12
_____ Romanticists thought of a play as merely "a slice of life" - reality transferred to the stage.
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13
_____Ibsen's dramas were considered controversial because:
A) They sensationalized violence through elaborate spectacle
B) They focused on lower-class characters and unsavory life-styles
C) They challenged existing moral values and social norms
A) They sensationalized violence through elaborate spectacle
B) They focused on lower-class characters and unsavory life-styles
C) They challenged existing moral values and social norms
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14
_____ Numerous independent theatres were established all over Europe, the first of which was the Théâtre Libre in Paris.
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15
_____ Stanislavsky's "magic if" refers to:
A) A training method through which the performer could increase their physical dexterity and agility
B) A way through which the performer may imaginatively project themselves into the world of the play
C) The standard stage movement practice of performers at the Moscow Art Theatre, wherein the secondary actor moved to the center of the stage if the primary actor moved away from it
D) The practice of observing real life behavior and then transferring it directly to the stage
True/False
A) A training method through which the performer could increase their physical dexterity and agility
B) A way through which the performer may imaginatively project themselves into the world of the play
C) The standard stage movement practice of performers at the Moscow Art Theatre, wherein the secondary actor moved to the center of the stage if the primary actor moved away from it
D) The practice of observing real life behavior and then transferring it directly to the stage
True/False
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16
_____ The configuration of Wagner's theatre at Bayreuth set the pattern for most 20th century theatres
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17
_____ Among other things, Freud's theories contributed to an increased awareness of subtext (the possibility of a covert meaning beneath what is overtly communicated)
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18
_____ In the play A Doll's House, Nora walks out on her husband because he won't give her any money
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19
_____ George Bernard Shaw wrote comedies for London's Independent Theatre that punctured popular prejudices and provoked audiences to reassess their values
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20
_____Which was NOT an appeal of melodrama?
A) Realistic spectacle
B) Suspense
C) Box Sets
D) The vindication of virtue
A) Realistic spectacle
B) Suspense
C) Box Sets
D) The vindication of virtue
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21
Explain the concepts of Richard Wagner: what he sought to create and how he realized this goal through his production practices and the creation of his theatre at Bayreuth.
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22
Explain the 5 basic premises of the Stanislavsky system of acting and relate why such a system might be particularly effective for the performers in plays by Ibsen or Chekhov.
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