It is evident that the most prevalent images of Black womanhood in rap are not of successful, assertive, female rappers, but instead, of near naked, unrealistic, back-up dancers used to enforce the masculinity and sexual prowess of those male rappers for whom they dance. In formulating a critical dialogue about rap music and feminism, what does the author say we must ask?
A) Whose womanhood is being oppressed by entertainment, and is this oppression limited to music?
B) What kind of femininity is being sought by audiences, and what is being seen in the public sphere?
C) Whose Black womanhood is being brought to the public sphere and is this womanhood truly female defined?
D) Are Black women being brought to the public sphere authentically, and are they represented thoroughly?
Correct Answer:
Verified
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