If an orchestral recording sounds too dry, _________________.
A) record in a concert hall with a longer reverb time.
B) use spot mics.
C) mike closer to the orchestra.
D) turn down artificial reverberation.
Correct Answer:
Verified
Q5: Dynamic range is _.
A) loudness.
B) signal-to-noise ratio.
C)
Q6: An ideal reverberation time for classical music
Q7: In a classical-music recording, "perspective" is controlled
Q8: When judging stereo imaging, _.
A) always use
Q9: Some cures for "muddy sound" are _.
A)
Q10: Some cures for distortion are _.
A) use
Q11: One cure for noise is _.
A) use
Q12: A cure for breath pop is _.
A)
Q13: To add a sense of depth, _.
A)
Q15: If a reproduced orchestra sounds too narrow,
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