In M*A*S*H,Robert Altman and cinematographer Harold Stine use telephoto and zoom lenses to create a sense of military order and compartmentalization.

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In M*A*S*H, Robert Altman and cinematographer Harold Stine used telephoto and zoom lenses to create a sense of chaos and disorganization, which reflected the absurdity and confusion of war, rather than military order and compartmentalization.

In M*A*S*H,Robert Altman and Cinematographer Harold Stine Use Telephoto and Zoom

In MAS*H,Robert Altman and Cinematographer Harold Stine Use Telephoto and Zoom