Third World cinema rejected the conventions of both American and European cinema in favor of what was often blended Marxism and nationalism.___

Name: Third World cinema rejected the conventions of both American and European cinema in favor of what was often blended Marxism and nationalism.___
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Third World cinema emerged as a rejection of the dominant conventions of American and European cinema, drawing on nationalist and Marxist ideologies to develop alternative aesthetics and narratives.

Third World Cinema Rejected the Conventions of Both American and European