Deck 7: Chinese Civilization after the Thirteenth Century
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Deck 7: Chinese Civilization after the Thirteenth Century
1
Music was important during the Cultural Revolution in "extolling the glories of China and providing ceremonial background to public events."
True
2
China ceded Hong Kong to Great Britain after their defeat in the Opium War; the city has now reverted back to the control of the Chinese.
True
3
__________ was the most innovative development of the Qing dynasty.
A) Poetry
B) Prose fiction
C) Autobiography
D) Essay
E) Linked verse
A) Poetry
B) Prose fiction
C) Autobiography
D) Essay
E) Linked verse
B
4
All the parts at the Beijing Opera were played by men.
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5
__________ best describes the "literati."
A) Mongol invaders during the Yuan rule
B) Poet-artists who used brushwork to express their understanding of humankind and nature
C) Designers of the present-day Beijing
D) Composers of Chinese theater music
E) Communist officials
A) Mongol invaders during the Yuan rule
B) Poet-artists who used brushwork to express their understanding of humankind and nature
C) Designers of the present-day Beijing
D) Composers of Chinese theater music
E) Communist officials
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6
The Chinese often considered __________ the highest form of art.
A) poetry
B) prose
C) landscape painting
D) portraits
E) calligraphy
A) poetry
B) prose
C) landscape painting
D) portraits
E) calligraphy
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7
Zhu Da was from an impoverished family and focused on the representation of humans in his works.
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8
The Chinese ruler's palace was usually situated at the __________.
A) east end, looking west
B) west end, looking east
C) southeastern end, looking northwest
D) south end, looking north
E) north end, looking south
A) east end, looking west
B) west end, looking east
C) southeastern end, looking northwest
D) south end, looking north
E) north end, looking south
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9
Matteo Ricci was one of the most notable Jesuit priests to travel to China and was a frequent presence at the Ming courts.
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10
The most important paintings created in China after the thirteenth century were __________.
A) genre scenes
B) portraits
C) ceremonial images
D) historical events
E) landscapes
A) genre scenes
B) portraits
C) ceremonial images
D) historical events
E) landscapes
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11
Due to its apt reflection of the political, religious, economic, and aesthetic element of mid-Qing elite life, The Dream of the Red Chamber is considered by some to be the most important Chinese literary text of the eighteenth century.
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12
__________ is described as the "poet of the brush."
A) Shen Zhou
B) Qiu Ying
C) Bei Dao
D) Zhu Da
E) Cao Xuequin
A) Shen Zhou
B) Qiu Ying
C) Bei Dao
D) Zhu Da
E) Cao Xuequin
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13
__________ is the dominant political system in contemporary China.
A) Democracy
B) Socialism
C) Communism
D) Monarchy
E) Oligarchy
A) Democracy
B) Socialism
C) Communism
D) Monarchy
E) Oligarchy
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14
The calligraphy at the upper left of Shen Zhou's Poet on a Moutaintop is a __________.
A) poem
B) prayer
C) song
D) signature
E) novella
A) poem
B) prayer
C) song
D) signature
E) novella
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15
Under the rule of the so-called Yongle Emperor the palace enclosure where the emperor and his court lived was called the __________.
A) Imperial City
B) Forbidden City
C) Gate of Heavenly Peace
D) Gate of Supreme Harmony
E) The Garden of Imperial Delights
A) Imperial City
B) Forbidden City
C) Gate of Heavenly Peace
D) Gate of Supreme Harmony
E) The Garden of Imperial Delights
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16
In the Beijing opera, the performer's roles are divided into four major categories of which __________ is not a category.
A) male
B) painted male face
C) female
D) clown
E) painted female face
A) male
B) painted male face
C) female
D) clown
E) painted female face
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17
Shi Tao excelled in __________.
A) architecture
B) prose fiction
C) Beijing opera
D) Chinese scholars' rocks
E) wet brush technique
A) architecture
B) prose fiction
C) Beijing opera
D) Chinese scholars' rocks
E) wet brush technique
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18
Wu Zhen's Bamboo could be interpreted as a symbol of survival of Chinese under
foreign rule.
foreign rule.
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19
The __________ dynasty was a short, but nevertheless a culturally significant, reign.
A) Yuan
B) Ming
C) Qing
D) People's Republic of China
E) Tang
A) Yuan
B) Ming
C) Qing
D) People's Republic of China
E) Tang
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20
The Forbidden City was approached __________.
A) by water
B) through a maze
C) through a series of gates
D) by air
E) through a series of tunnels
A) by water
B) through a maze
C) through a series of gates
D) by air
E) through a series of tunnels
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21
Summarize the primary beliefs of the Chinese and explain how these values have shaped specific works of art, music, and literature.
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22
Why was calligraphy so revered in Chinese culture?
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23
Describe how Ming furniture mingles form and function.
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24
The Mongol ruling class of the Yuan dynasty kept the primary offices of governmental administration to themselves because they wanted to maintain their ethnic separateness.
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25
Analyze one work that expresses the creators and features of literati painting.
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26
What is the significance of the subject matter of Wu Zhen's Bamboo ?
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27
What purpose did Scholars' Rocks serve?
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28
What was Mao Zedong's belief about the arts?
Essay
Essay
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29
Explain what is meant by "the patriarchal nature" of Confucian society.
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30
What is the painter Shitao known for?
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31
What are the two styles of hsi-wen and what region of China is each associated with?
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32
Examine the unique political and cultural situation of Hong Kong.
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33
Examine how the Imperial Palace, Beijing was designed as a visual manifestation of the nexus between the rule of the emperor and order in the universe.
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34
Discuss the impact of the arrival of Jesuit Catholic missionaries, such as Matteo Ricci, into China during the Qing dynasty.
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35
Calligraphy was not a prestigious form in Chinese art.
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