Deck 11: The High Renaissance and Mannerism
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Deck 11: The High Renaissance and Mannerism
1
The source of much of the gold in Europe is __________.
A) North Africa
B) the Americas
C) India
D) Sub-Saharan Africa
E) China
A) North Africa
B) the Americas
C) India
D) Sub-Saharan Africa
E) China
B
2
The typical Renaissance state was __________.
A) tyrannical
B) democratic
C) oligarchic
D) monarchic
E) plutocratic
A) tyrannical
B) democratic
C) oligarchic
D) monarchic
E) plutocratic
D
3
Castiglione's book __________ became an important guide to "goodly manners."
A) The Prince
B) The Goodly Gentleman
C) The Life of Michelangelo
D) The Courtier
E) The Chivalric Knight
A) The Prince
B) The Goodly Gentleman
C) The Life of Michelangelo
D) The Courtier
E) The Chivalric Knight
D
4
The __________ Empire allowed its subjects to practice their own religions.
A) Holy Roman
B) Spanish
C) British
D) French
E) Ottoman
A) Holy Roman
B) Spanish
C) British
D) French
E) Ottoman
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5
Juan del __________ is credited with being the first Spanish secular dramatist.
A) Diego
B) Vega
C) Carpio
D) Encina
E) Rueda
A) Diego
B) Vega
C) Carpio
D) Encina
E) Rueda
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6
__________ is a Renaissance theatre type performed by troupes of actors wearing masks and employing improvised plots and stock characters.
A) Commedia dell'arte
B) Lieder
C) Zanni
D) Proscenium
E) Autos sacramentales
A) Commedia dell'arte
B) Lieder
C) Zanni
D) Proscenium
E) Autos sacramentales
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7
The word used to describe the "smoky" gradations of light and shade in paintings such as those of Leonardo is __________.
A) scumbling
B) sfumato
C) chiaroscuro
D) tenebrism
E) obscurantism
A) scumbling
B) sfumato
C) chiaroscuro
D) tenebrism
E) obscurantism
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8
The capital of the Aztec Empire was called __________.
A) Caracas
B) Lima
C) Tenochtitlán
D) Mexica
E) Coosa
A) Caracas
B) Lima
C) Tenochtitlán
D) Mexica
E) Coosa
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9
In 1497 Vasco da Gama proved a sea route to __________ existed.
A) Portugal
B) Gold Coast
C) Peru
D) India
E) Japan
A) Portugal
B) Gold Coast
C) Peru
D) India
E) Japan
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10
A setting of lyric poetry for several voices is called a __________.
A) madrigal
B) motet
C) cantata
D) sonata
E) homophony
A) madrigal
B) motet
C) cantata
D) sonata
E) homophony
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11
The early Spanish colonizers of the New World are called __________.
A) cartographers
B) conquistadors
C) chroniclers
D) culture brokers
E) travelers
A) cartographers
B) conquistadors
C) chroniclers
D) culture brokers
E) travelers
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12
The Spanish have referred to the __________ century as the siglo de oro.
A) fourteenth
B) fifteenth
C) sixteenth
D) seventeenth
E) none of the above
A) fourteenth
B) fifteenth
C) sixteenth
D) seventeenth
E) none of the above
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13
The time from around 1495 until around 1520 is called the __________.
A) Italian Renaissance
B) Northern Renaissance
C) High Renaissance
D) Late Gothic
E) Low Renaissance
A) Italian Renaissance
B) Northern Renaissance
C) High Renaissance
D) Late Gothic
E) Low Renaissance
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14
The __________ popes were worldly and concerned with power.
A) Renaissance
B) early
C) Mannerist
D) Gothic
E) Protestant
A) Renaissance
B) early
C) Mannerist
D) Gothic
E) Protestant
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15
A "picture-frame stage" is referred to as a __________.
A) proscenium
B) zanni
C) gracioso
D) homophony
E) madrigal
A) proscenium
B) zanni
C) gracioso
D) homophony
E) madrigal
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16
__________ is a movement in art characterized by an affected appearance of subjects.
A) Baroque
B) High Renaissance
C) Northern Renaissance
D) Neoclassicism
E) Mannerism
A) Baroque
B) High Renaissance
C) Northern Renaissance
D) Neoclassicism
E) Mannerism
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17
The __________ is a polyphonic choral work.
A) cantus
B) motet
C) homophony
D) madrigal
E) sonata
A) cantus
B) motet
C) homophony
D) madrigal
E) sonata
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18
The highly influential Four Books on Architecture were written by __________.
A) Michelangelo
B) Bramante
C) Palladio
D) Maderno
E) Lescot
A) Michelangelo
B) Bramante
C) Palladio
D) Maderno
E) Lescot
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19
The compositions of Giovanni Pierluigi da Palestrina are almost entirely __________.
A) homophonic
B) polyphonic
C) instrumental
D) vocal
E) secular
A) homophonic
B) polyphonic
C) instrumental
D) vocal
E) secular
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20
A __________ is a polyphonic choral work set to a Latin text other than the ordinary of the mass.
A) madrigal
B) motet
C) cantus
D) sacramental
E) word painting
A) madrigal
B) motet
C) cantus
D) sacramental
E) word painting
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21
The poetic form of the __________ became particularly important during the High Renaissance,as evidenced in the work of Michelangelo.
A) canto
B) epic
C) lyric
D) sonnet
E) couplet
A) canto
B) epic
C) lyric
D) sonnet
E) couplet
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22
The __________ proposed that Mary remained a virgin despite giving birth to Christ.
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23
Giovanni de Bologna's Mercury is clearly __________ in style.
A) High Renaissance
B) idiosyncratic
C) Mannerist
D) Early Renaissance
E) neoclassical
A) High Renaissance
B) idiosyncratic
C) Mannerist
D) Early Renaissance
E) neoclassical
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24
Michelangelo's David was originally intended to be seen from __________.
A) far below
B) far above
C) privately
D) the ground
E) indoors
A) far below
B) far above
C) privately
D) the ground
E) indoors
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25
Bronzino's Portrait of a Young Man combines both High Renaissance and __________ elements.
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26
.Sophonisba Anguissola was a(n)__________ for the Queen of Spain.
A) attendant
B) court painter
C) court musician
D) playwright
E) poet
A) attendant
B) court painter
C) court musician
D) playwright
E) poet
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27
Under the aegis of Lope de Vega,a __________ theatre emerged in Spain.
A) religious
B) popular
C) courtly
D) national
E) international
A) religious
B) popular
C) courtly
D) national
E) international
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28
Part of Titian's unique technique involved thin layers of paint over top of a reddish __________.
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29
Michelangelo painted the ceiling of the __________.
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30
The basis of the composition of Leonardo's Virgin and Child with St Anne is a __________.
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31
__________ strives for harmony,order,reason,intellect,objectivity,and formal discipline.
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32
The cherubs seen in Titian's Assumption of the Virgin are also known as __________.
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33
Orlando Furioso,a large-scale narrative poem that included trips to the moon,was the masterpiece of __________.
A) Michelangelo
B) Castiglione
C) Cetina
D) Ariosto
E) Britten
A) Michelangelo
B) Castiglione
C) Cetina
D) Ariosto
E) Britten
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34
Most of the people in the Ottoman Empire remained Jewish or __________.
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35
__________ was the center of patronage during the High Renaissance.
A) Padua
B) Genoa
C) Venice
D) Florence
E) Rome
A) Padua
B) Genoa
C) Venice
D) Florence
E) Rome
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36
In the sixteenth century __________ music began to develop independence from vocal music.
A) choral
B) dance
C) instrumental
D) sacred
E) secular
A) choral
B) dance
C) instrumental
D) sacred
E) secular
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37
__________ asserted that true worth comes "by character and intellect rather than by birth."
A) Petarch
B) Michelangelo
C) Castiglione
D) Ariosto
E) Cetina
A) Petarch
B) Michelangelo
C) Castiglione
D) Ariosto
E) Cetina
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38
Leonardo invented practical devices,including a device to cut nuts and __________.
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39
Leonardo's wall painting __________ began to flake almost immediately after he finished it.
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40
The set designs of Sebastiano Serlio are notable for their use of __________.
A) color and ornamentation
B) expressive content
C) symbolism
D) live animals
E) mechanical perspective
A) color and ornamentation
B) expressive content
C) symbolism
D) live animals
E) mechanical perspective
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41
Parmigianino's Madonna with the Long Neck exemplifies the Mannerist quality of __________.
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42
The High Renaissance is associated with a rise in idealism and classicism.
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43
Which institution's patronage attracted artists to Rome?
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44
Bramante's __________ ("little temple")exemplifies High Renaissance style in architecture.
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45
Michelangelo was a religious skeptic.
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46
The focal point of the __________ is the dome of St.Peter's.
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47
Which Renaissance artist was a master of visual arts,architecture,and poetry?
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48
The Lescot wing of the Louvre Palace is an example of __________ architecture.
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49
Classicism aims to depict "real life."
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50
The Ottoman sultan Suleiman was known for his love of the arts.
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51
Who painted The Madonna of the Rocks?
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52
What term embodied the Renaissance idea of god-given talent and intellect?
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53
Did High Renaissance artists treat figures more as individuals or types?
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54
Mannerism can be seen as anti-classical.
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55
Machiavelli believed it was important that princes should be patrons of the arts.
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56
Leonardo's paintings show a concern with closely observed nature,consistent with his interest in science.
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57
High Renaissance paintings are usually composed along the lines of a geometric shape.
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58
The Ottoman Empire defeated the Turks.
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59
Mannerism probably allowed for greater artistic experimentation.
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60
__________ was the source of plans for new theatre buildings in Italy.
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61
Pick an example of High Renaissance art.How does it differ from early Renaissance art? How is it similar?
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62
Consider the works of literature discussed in this chapter.Are there any common themes or ideas across the works discussed?
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63
How do you think the increased colonization and wealth in Europe influenced the arts? Consider the availability of certain materials,changes in wealth and patronage,and shifting political alliances.
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