Deck 12: Japanese Art Before 1333
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Deck 12: Japanese Art Before 1333
1
Which characteristic of Japanese art was already evident in haniwa figures of the Kofun period?
A) innovative glazing techniques
B) technical sophistication
C) a love of asymmetry
D) the preference for wooden sculpture
A) innovative glazing techniques
B) technical sophistication
C) a love of asymmetry
D) the preference for wooden sculpture
C
2
What feature of Jocho's sculpture of Amida Buddha at Byodoin is distinctively Japanese?
A) the figure is not flanked by bodhissatvas
B) the lotus flower throne
C) joined-block construction
D) the representation of Amida Buddha
A) the figure is not flanked by bodhissatvas
B) the lotus flower throne
C) joined-block construction
D) the representation of Amida Buddha
C
3
The haniwa figures that surrounded Kofun tombs developed out of simple ______-shaped vessels.
A) triangular
B) cubic
C) circular
D) cylindrical
A) triangular
B) cubic
C) circular
D) cylindrical
D
4
Small humanoid figures made out of clay by the people of the middle and late Jomon period are called __________.
A) dogu
B) Vishnu
C) shika
D) rama
A) dogu
B) Vishnu
C) shika
D) rama
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5
The Womb World Mandala is an example of paintings that helped teach practitioners the different gods and hierarchical interrelationships existing in ________.
A) Esoteric Buddhism
B) Pure Land Buddhism
C) Zen Buddhism
D) Mahayana Buddhism
A) Esoteric Buddhism
B) Pure Land Buddhism
C) Zen Buddhism
D) Mahayana Buddhism
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6
Which Japanese object was inspired by the Chinese tradition of monumental stone Buddhist statues in cave-temples?
A) Buddha Shaka and Attendant Bodhissatvas by Tori Busshi in the Kondo at Horyuji
B) Buddha Birushana in the Great Buddha Hall, Nara
C) Amida Buddha by Jocho in the Phoenix Hall at Byodoin
D) Descent of Amida and the Twenty-Five Bohissatvas from the Kamakura period
A) Buddha Shaka and Attendant Bodhissatvas by Tori Busshi in the Kondo at Horyuji
B) Buddha Birushana in the Great Buddha Hall, Nara
C) Amida Buddha by Jocho in the Phoenix Hall at Byodoin
D) Descent of Amida and the Twenty-Five Bohissatvas from the Kamakura period
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7
How does the Descent of Amida and the Twenty-Five Bodhisattvas reflect indigenous Japanese beliefs?
A) the emphasis on the surrounding landscape
B) the use of gold and color on dark silk
C) its association with death and dying
D) all of the above
A) the emphasis on the surrounding landscape
B) the use of gold and color on dark silk
C) its association with death and dying
D) all of the above
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8
The ________________ indicates the extensive international exchange that took place during the Nara period.
A) the introduction of Buddhism to Japan
B) the collection of Shosoin Imperial Repository in Todoaji
C) the use of imported materials in ritual objects made at Nara
D) all of the above
A) the introduction of Buddhism to Japan
B) the collection of Shosoin Imperial Repository in Todoaji
C) the use of imported materials in ritual objects made at Nara
D) all of the above
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9
Raigo paintings depicting Amida Buddha, accompanied by bodhisattvas, coming to earth were commonly ________________.
A) carried by samurai during the Kamakura period
B) taken to the homes of dying people
C) used in the practice of Esoteric Buddhism
D) gifts from a Buddhist master to students who had completed their training
A) carried by samurai during the Kamakura period
B) taken to the homes of dying people
C) used in the practice of Esoteric Buddhism
D) gifts from a Buddhist master to students who had completed their training
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10
How does the Phoenix Hall, Byodoin, Uji reflect ideas of Pure Land Buddhism?
A) It simulates the appearance of the paradise that awaits believers after death.
B) It provides an ideal environment for private meditation and contemplation of nature.
C) Its design is based on a mandala that believers must use in their religious practice.
D) It affirms that only the most cultured aristocrats could attain enlightenment.
A) It simulates the appearance of the paradise that awaits believers after death.
B) It provides an ideal environment for private meditation and contemplation of nature.
C) Its design is based on a mandala that believers must use in their religious practice.
D) It affirms that only the most cultured aristocrats could attain enlightenment.
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11
The Buddah Shaka and Attendant Bodhisattvas in the Horyukji Kondo demonstrates the aesthetic influence of Buddhist art from which country?
A) Japan
B) China
C) Korea
D) India
A) Japan
B) China
C) Korea
D) India
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12
Archaeological discoveries show Japan to be the site of the oldest _________ever found.
A) musical instruments
B) ceramic pottery
C) wooden architecture
D) bronze weapons
A) musical instruments
B) ceramic pottery
C) wooden architecture
D) bronze weapons
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13
What subject matter commonly appears in Japanese secular paintings?
A) satirical imagery
B) illustrations of literature
C) historical military battles
D) all of the above
A) satirical imagery
B) illustrations of literature
C) historical military battles
D) all of the above
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14
Which Japanese practice does NOT have origins in Chinese culture?
A) written kana
B) kirakane cut-gold leaf technique
C) joined-block construction
D) illustrated handscrolls
A) written kana
B) kirakane cut-gold leaf technique
C) joined-block construction
D) illustrated handscrolls
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15
Zen Buddhism's emphasis on individual enlightenment through meditation appealed to the self-disciplined nature of Japan's ____________class.
A) aristocratic
B) samurai
C) peasant
D) merchant
A) aristocratic
B) samurai
C) peasant
D) merchant
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16
Which structure at Horyuji is not entered into because of its reliquary function?
A) the kondo
B) the pagoda C the repository for sacred texts
D) the stupa
A) the kondo
B) the pagoda C the repository for sacred texts
D) the stupa
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17
Which cultural developments did NOT occur during the Asuka period?
A) Buddhism became the state religion.
B) A system of writing was created.
C) Political ties with China were cut.
D) A centralized governmental structure was formed.
A) Buddhism became the state religion.
B) A system of writing was created.
C) Political ties with China were cut.
D) A centralized governmental structure was formed.
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18
How does the Hungry Tigress Jataka on the Tamamushi shrine reflect Chinese and Korean artistic influence?
A) the asymmetry of the design
B) the abstracted linear patterning
C) the repeated figure of Buddha
D) none of the above
A) the asymmetry of the design
B) the abstracted linear patterning
C) the repeated figure of Buddha
D) none of the above
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19
How does art of the Heian period demonstrate Japan's desire to be less culturally dependent on China?
A) the production of yamato-e handscrolls
B) hand-copied collections of waka
C) the use of kana
D) all of the above
A) the production of yamato-e handscrolls
B) hand-copied collections of waka
C) the use of kana
D) all of the above
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20
How does the Ise Shrine reflect Shinto's emphasis on ritual purification?
A) It is repainted every spring.
B) It is rebuilt every 20 years.
C) It utilizes water.
D) Very few people are allowed inside.
A) It is repainted every spring.
B) It is rebuilt every 20 years.
C) It utilizes water.
D) Very few people are allowed inside.
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21
The earliest form of samurai armor is known as______________.
A) kamakura
B) soji
C) yoroi
D) giga
A) kamakura
B) soji
C) yoroi
D) giga
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22
The main god worshiped at the Ise Shrine is the sun goddess Amaterasu-o-mi-kami, the legendary progenitor of Japan's _________.
A) goddess
B) king
C) imperial family
D) army
A) goddess
B) king
C) imperial family
D) army
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23
What was the possible purpose of Jomon dogu?
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24
Kosho's portrait sculpture of Kuya Preaching depicts six small Buddhas emerging from the monk's mouth to represent his __________.
A) age
B) chanting
C) journey
D) conversion
A) age
B) chanting
C) journey
D) conversion
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25
Concerns that ___________influence at Nara had become too powerful led imperial advisors to move the capital to Kyoto near the end of the eighth century.
A) Islamic
B) Christian
C) Daoist
D) Buddhist
A) Islamic
B) Christian
C) Daoist
D) Buddhist
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26
How did the Yayoi period differ from the Kofun period?
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27
The ___________technique became popular in Japan because it reduced cracking in the wood and allowed for the production of larger sculptures.
A) found wood
B) split-wood
C) joined-wood
D) stripped wood
A) found wood
B) split-wood
C) joined-wood
D) stripped wood
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28
The animal antics and court activities depicted in the Yamato-e handscroll Frolicking Animals from the Heian period are attributed to which artist's hand?
A) Toba Sojo
B) Choju Giga
C) Kuya
D) Lanxi Daolong
A) Toba Sojo
B) Choju Giga
C) Kuya
D) Lanxi Daolong
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29
Although Ise is a popular site for pilgrims, only the imperial family and Shinto priests are allowed into the ________.
A) inner shrine
B) outer shrine
C) garden
D) front gate
A) inner shrine
B) outer shrine
C) garden
D) front gate
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30
Named for the patterns on pottery, the _______ period is known for its coiled clay vessels that probably imitated reed baskets.
A) Asuka
B) Nara
C) Jomon
D) Heian
A) Asuka
B) Nara
C) Jomon
D) Heian
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31
What social changes occurred in the Yayoi period?
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32
The portrait of Daruma from the Kamakura period is one of the earliest surviving examples of what type of painting?
A) landscape
B) Zen
C) Raigo
D) Pure Land
A) landscape
B) Zen
C) Raigo
D) Pure Land
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33
What was a haniwa used for?
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34
What visual characteristics are apparent in Jomon period pottery?
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35
The Shaka Triad by Tori Busshi reflects the strong influence of Chinese art from what dynasty?
A) Western Wei
B) Eastern Wei
C) Southern Wei
D) Northern Wei
A) Western Wei
B) Eastern Wei
C) Southern Wei
D) Northern Wei
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36
What do the kondo and pagoda of Horyuji temple contain?
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37
The belief that Shinto _________ were emanations of Buddhist deities demonstrates how the Japanese integrated Buddhist ideas into their indigenous belief systems.
A) haniwa
B) kami
C) kofun
D) nara
A) haniwa
B) kami
C) kofun
D) nara
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38
Raigo paintings in the Kamakura period were made in great numbers and used for what purpose?
A) depicting the Amida Buddha
B) taken to the homes of the dying
C) a belief that Amida would escort the soul to paradise
D) All of the above
A) depicting the Amida Buddha
B) taken to the homes of the dying
C) a belief that Amida would escort the soul to paradise
D) All of the above
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39
What cultural transformations occurred during the Asuka period?
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40
The large imperial tombs of the Kofun period were constructed following ________examples.
A) Korean
B) Cambodian
C) Chinese
D) Indian
A) Korean
B) Cambodian
C) Chinese
D) Indian
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41
What is one of the jataka tales told by the paintings of Horyuji?
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42
Why did the Heian era end, and what period followed?
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43
What are some of the Buddhist symbols and what do they stand for?
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44
How do raigo paintings differ from mandalas?
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45
How is Buddha pictured in the Amida Buddha (12-12) by Jocho?
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46
Discuss how Japan's changing relationship with China and Korea impacted its art and cultural development.
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47
How does Zen Buddhist art differ from that of Esoteric and Pure Land Buddhism?
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48
What was one result of a strong central authority in Nara?
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49
What are the teachings of Pure Land Buddhism?
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50
Japanese ceramics are considered to be among the finest in the world. Explain what makes them so special both in terms of craftsmanship and aesthetics.
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51
Discuss the interplay of indigenous traditions and transmitted culture in Japanese art.
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52
What is Esoteric Buddhism and how is the concept artistically interpreted?
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53
What major religious sects emerged in the Heian period?
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54
Compare the aesthetic and ritual characteristics of art made for different sects of Buddhism in Japan.
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