Deck 1: Prehistory and the First Civilizations
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Deck 1: Prehistory and the First Civilizations
1
_____ were colossal monsters that guarded the gates of Assyrian palaces?
A) Warkas
B) Lamassus
C) Kalhus
D) Sphinxes
A) Warkas
B) Lamassus
C) Kalhus
D) Sphinxes
Lamassus
2
The _____ was the Persian royal audience hall at Persepolis.
A) hypostyle hall
B) citadel
C) apadana
D) mastaba
A) hypostyle hall
B) citadel
C) apadana
D) mastaba
apadana
3
Inspired by the cult of Re, the pyramidal shape of the tombs at Gizeh symbolize _____.
A) the Nile River
B) papyrus stalks
C) the rays of the sun
D) the human figure
A) the Nile River
B) papyrus stalks
C) the rays of the sun
D) the human figure
the rays of the sun
4
The earliest preserved art objects date to the _____.
A) Assyrians
B) Neolithic period
C) Egyptians
D) Paleolithic period
A) Assyrians
B) Neolithic period
C) Egyptians
D) Paleolithic period
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5
What was the daring innovation introduced in the victory stele of Naram-Sin?
A) A landscape setting
B) Registers
C) The king's love affair
D) Brilliant coloring
A) A landscape setting
B) Registers
C) The king's love affair
D) Brilliant coloring
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6
The standard tomb type in Egypt was the _____.
A) mastaba
B) ziggurat
C) pylon
D) henge
A) mastaba
B) ziggurat
C) pylon
D) henge
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7
The Neolithic architecture in northern Europe is described as _____ because it uses large stones.
A) corbeled
B) wattle and daub
C) megalithic
D) henge
A) corbeled
B) wattle and daub
C) megalithic
D) henge
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8
Egyptians believed that their _____ could inhabit their corpse and live on.
A) aton
B) ka
C) sphinx
D) lamassu
A) aton
B) ka
C) sphinx
D) lamassu
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9
The inhabitants of ancient _____ established the earliest city-states.
A) Sumer
B) Hattusha
C) Persepolis
D) Jericho
A) Sumer
B) Hattusha
C) Persepolis
D) Jericho
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10
The most common subject in Paleolithic art was _____.
A) settlements
B) animals
C) human figures
D) battle scenes
A) settlements
B) animals
C) human figures
D) battle scenes
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11
What indicates Naram-Sin's divinity in the victory stele of Naram-Sin?
A) Bowing warriors
B) Royal robes
C) Hierarchy of scale
D) Horned helmet
A) Bowing warriors
B) Royal robes
C) Hierarchy of scale
D) Horned helmet
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12
The oldest extant hollow-cast sculpture is _____.
A) two bison
B) Hammurabi and Shamash
C) the head of an Akkadian ruler
D) Gudea
A) two bison
B) Hammurabi and Shamash
C) the head of an Akkadian ruler
D) Gudea
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13
Architect of the stepped pyramid of King Djoser, _____ is the first recorded name of an artist.
A) Thutmose
B) Thoth
C) Senmut
D) Imhotep
A) Thutmose
B) Thoth
C) Senmut
D) Imhotep
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14
_____ is the earliest extant labeled work of historical art.
A) Assyrian archers pursuing enemies
B) The victory stele of Naram-Sin
C) Khafre enthroned
D) The palette of King Narmer
A) Assyrian archers pursuing enemies
B) The victory stele of Naram-Sin
C) Khafre enthroned
D) The palette of King Narmer
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15
An arrangement of stones in a circle is called a _____.
A) henge
B) menir
C) heel stone
D) dolmen
A) henge
B) menir
C) heel stone
D) dolmen
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16
_____ is used to indicate the greater importance of figures.
A) Hierarchy of scale
B) Composite view
C) Twisted perspective
D) Bas-relief
A) Hierarchy of scale
B) Composite view
C) Twisted perspective
D) Bas-relief
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17
Sumerian artists were the first to use art to _____.
A) capture the spirit of animals
B) tell stories
C) communicate with deities
D) decorate their temples
A) capture the spirit of animals
B) tell stories
C) communicate with deities
D) decorate their temples
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18
_____ was an important Neolithic settlement because it was built according to a predetermined scheme.
A) Kalhu
B) White Temple
C) Stonehenge
D) Catal Höyük
A) Kalhu
B) White Temple
C) Stonehenge
D) Catal Höyük
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19
The presentation of offerings to Inanna (Warka Vase) may represent a _____.
A) victorious battle
B) human sacrifice
C) symbolic marriage
D) deity ascending to the heavens
A) victorious battle
B) human sacrifice
C) symbolic marriage
D) deity ascending to the heavens
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20
The _____ introduced a new concept of royal power based on loyalty to the king.
A) Sumerians
B) Akkadians
C) Guians
D) rulers of Ur
A) Sumerians
B) Akkadians
C) Guians
D) rulers of Ur
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21
Twisted perspective refers to _____.
A) the incorrect representation of space
B) objects represented from two viewpoints
C) uneven ground lines
D) images created on the irregular wall surface
A) the incorrect representation of space
B) objects represented from two viewpoints
C) uneven ground lines
D) images created on the irregular wall surface
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22
The stele of Hammurabi presents the ruler's famous _____.
A) law code
B) victory over the Lullubi
C) entrance into Babylon
D) Lamassu
A) law code
B) victory over the Lullubi
C) entrance into Babylon
D) Lamassu
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23
How did painting techniques change from the Paleolithic period to the Neolithic period?
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24
Which object represents the beginning of large-scale sculpture in the ancient world?
A) Human figure, from Ain Ghazal
B) Statuettes of two worshippers, from the Square Temple at Eshunna
C) Victory stele of Naram-Sin
D) Head of an Akkadian ruler, from Nineveh
A) Human figure, from Ain Ghazal
B) Statuettes of two worshippers, from the Square Temple at Eshunna
C) Victory stele of Naram-Sin
D) Head of an Akkadian ruler, from Nineveh
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25
How have scholars interpreted handprints in Paleolithic cave paintings?
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26
Describe the New Kingdom pylon temple.
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27
Describe what inspired the pyramid shape of the pyramids at Gizeh.
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28
The peoples of northern Europe in the Neolithic period are known for their _____.
A) mastabas
B) monumental stone architecture
C) ziggurats
D) temples
A) mastabas
B) monumental stone architecture
C) ziggurats
D) temples
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29
Describe the significance of the temple in Sumerian life.
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30
Describe the pictorial conventions that appear on this artwork and would continue to be employed in Sumerian art.
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31
What are the main components of a mastaba?
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32
Instead of creating figures with a variety of body types, Egyptians applied a _____, or system of proportions.
A) canon
B) cubic
C) ka
D) relief
A) canon
B) cubic
C) ka
D) relief
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33
What "firsts" were achieved by the Sumerians?
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34
The building system seen at Stonehenge is called _____.
A) mud-brick construction
B) masonry
C) arcuated
D) post and lintel
A) mud-brick construction
B) masonry
C) arcuated
D) post and lintel
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35
What is the sphinx, and why is it an appropriate royal image?
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36
Why were animals represented in the profile view in the Paleolithic period?
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37
Found at the temple of Amen Re at Karnak, the _____ or window level was an Egyptian innovation.
A) pylon
B) causeway
C) clerestory
D) serdab
A) pylon
B) causeway
C) clerestory
D) serdab
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38
What subjects decorated the walls of the terraces and staircase that led to the apadana at Persepolis?
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39
Describe how Paleolithic artists created cave paintings.
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40
How did society advance in the Neolithic period?
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41
Compare and contrast select artworks from the Paleolithic and the Neolithic periods. To what extent were subject matter, technique, and meaning similar or different?
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42
What might explain the disproportionate sizes of the hands and eyes of these figures?
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43
How did the artist make the creature visible from every angle?
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44
Attribute the images on the screen to a culture and give an approximate date. Explain your attributions, using complete sentences and referring to specific works discussed in class.
Suggested images, not in the text:
Suggested images, not in the text:
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45
How does this differ from Paleolithic cave paintings?
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46
What is the subject of this work, and why was it popular for tombs?
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47
How does this deviate from traditional royal portraits?
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48
What are the differing interpretations of the imagery on this artwork?
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49
How was a balance between naturalism and abstraction achieved in this work?
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50
Assess the relationship between Egyptian conceptions of the afterlife and Egyptian art. Use examples to support your .
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51
Discuss the development of ancient Egyptian tomb architecture. Please use examples.
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52
Selecting examples, please provide the artistic changes that occurred during the reign of Akhenaton. What factors may have stimulated these changes?
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53
What does this work tell us about what inspired early artists to create certain images?
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54
Discuss the meaning and purpose of Assyrian historical narrative relief. How did it compare to narratives in ancient Mesopotamian or Persian art? Use examples to support your .
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55
Describe the difference between optical and conceptual. Please provide examples of depicting a figure or animal conceptually from the chapter.
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56
With the lack of writing, it is hard to determine the exact meaning of Paleolithic artworks. Providing examples, please speculate on their hypothetical functions. What evidence do scholars use to establish meaning?
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57
What were some of the dominant artistic conventions of Ancient Near Eastern? Which artworks broke from convention? Using examples, please explain the deviations.
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58
What innovations in creating a sense of depth occurred here?
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59
What event does this record? Which elements support this?
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60
What was the possible meaning or function of this object?
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