Deck 4: Promoting Aesthetic Experiences
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Deck 4: Promoting Aesthetic Experiences
1
Aesthetic use of materials means that what is important is a child's personal involvement in the process, not the
finished product.
finished product.
True
2
To encourage children's aesthetic senses, try not to have them repeat activities.
True
3
Kid culture refers to an unappealing, materialistic view of children's art.
False
4
One of the guidelines for preparing a stimulating activity is that children can interact with it and experience it with at least one sense.
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5
Good aesthetic materials can be explored with the senses and have more than one use.
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6
The teacher should not give the child guidance in the aesthetic use of materials.
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7
It is not important to talk with children about their artwork.
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8
For a child, the type of sensing and feeling that is most important is fantasy.
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9
Children look in many ways. Some of these are:
A) touching, poking, and picking.
B) reading, listening, and writing.
C) tasting, touching, and patting.
D) touching, patting, poking, picking, and tasting.
A) touching, poking, and picking.
B) reading, listening, and writing.
C) tasting, touching, and patting.
D) touching, patting, poking, picking, and tasting.
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10
Young children have no difficulty making choices of aesthetic materials.
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11
With older children, the process of exploring materials is only the secondary focus of aesthetic experiences.
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12
The teacher is the judge of what children's work should be displayed in the room.
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13
The various uses of materials collected by the teacher and children are limited by their environment.
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14
There are two basic types of sensing and feeling - the five senses and personal feelings.
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15
Doing a familiar activity with old materials can enhance children's aesthetic senses.
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16
The best way to learn about current trends in kid culture is to do a search of early childhood journal articles.
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17
It is important to remember to give young children as many materials and choices as possible.
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18
Older children enjoy aesthetic materials in the same way young children do.
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19
It is important for the selfconcept of children to display each child's artwork.
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20
A classroom museum is a collection of items and artifacts on a specific theme.
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21
In their aesthetic experiences, older children:
A) create more complex works of art.
B) express specific ideas in their work.
C) are intentional in their approach to using materials.
D) create more complex works of art, express specific ideas in their work, and are intentional in their approach to using materials.
A) create more complex works of art.
B) express specific ideas in their work.
C) are intentional in their approach to using materials.
D) create more complex works of art, express specific ideas in their work, and are intentional in their approach to using materials.
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22
The element of rhythm can be found in:
A) repeated shapes, words, and steps.
B) repeated shapes, words, and songs.
C) repeated shapes, colors, and textures.
D) none of the above.
A) repeated shapes, words, and steps.
B) repeated shapes, words, and songs.
C) repeated shapes, colors, and textures.
D) none of the above.
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23
Kid culture is a term which refers to:
A) fashion and industrial design.
B) historic trends in children's games and activities.
C) a broad range of current media.
D) fashion and industrial design and a broad range of current media.
A) fashion and industrial design.
B) historic trends in children's games and activities.
C) a broad range of current media.
D) fashion and industrial design and a broad range of current media.
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24
Aesthetic potential is found in:
A) art materials.
B) natural materials with texture.
C) any materials that make a personal statement.
D) all of the above.
A) art materials.
B) natural materials with texture.
C) any materials that make a personal statement.
D) all of the above.
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25
With regard to kid culture, teachers need to:
A) discourage stereotyped images in art.
B) encourage children to represent their view of the world.
C) let children take ownership of their artistic and creative learning.
D) encourage children to represent their view of the world and let them take ownership of their artistic and creative learning.
A) discourage stereotyped images in art.
B) encourage children to represent their view of the world.
C) let children take ownership of their artistic and creative learning.
D) encourage children to represent their view of the world and let them take ownership of their artistic and creative learning.
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26
Something can be stimulating to a child because it is:
A) colorful.
B) cartoon-like.
C) exciting and different.
D) colorful, exciting and different
A) colorful.
B) cartoon-like.
C) exciting and different.
D) colorful, exciting and different
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27
Materials with good aesthetic potential allow children to:
A) explore with their senses.
B) choose materials that can be manipulated.
C) make attractive projects.
D) explore with their senses and choose materials that can be manipulated.
A) explore with their senses.
B) choose materials that can be manipulated.
C) make attractive projects.
D) explore with their senses and choose materials that can be manipulated.
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28
The role of parents in children's aesthetic experiences is:
A) to understand how to improve their child's artwork.
B) to learn to know more about their child's artwork.
C) to learn to know more about their child.
D) none of the above.
A) to understand how to improve their child's artwork.
B) to learn to know more about their child's artwork.
C) to learn to know more about their child.
D) none of the above.
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29
The element of contrast can be pointed out in:
A) contrasting colors.
B) word associations.
C) complementary colors.
D) analogous colors.
A) contrasting colors.
B) word associations.
C) complementary colors.
D) analogous colors.
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30
When talking with a child about his or her artwork, it is important to have the child:
A) reflect about the process.
B) correct any design errors.
C) give the work a name.
D) comment on the artistic elements.
A) reflect about the process.
B) correct any design errors.
C) give the work a name.
D) comment on the artistic elements.
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31
The three types of sensing and feeling are:
A) sensing, emotions, and fantasy.
B) fantasy, touching, and sensing.
C) sensing and feeling, touching and tasting, and fantasy.
D) none of the above.
A) sensing, emotions, and fantasy.
B) fantasy, touching, and sensing.
C) sensing and feeling, touching and tasting, and fantasy.
D) none of the above.
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