Deck 10: Digital Color Management and Printing
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Deck 10: Digital Color Management and Printing
1
If you are photographing dark objects, you may need:
A)A slightly longer-than-expected exposure than suggested by an ambient light meter.
B)A slightly shorter-than-expected exposure than suggested by an ambient light meter.
C)Exactly the same exposure as suggested by an ambient light meter.
D)No changes are needed.Just use your in-camera light meter, meter off of the dark objects, and make your exposure.
A)A slightly longer-than-expected exposure than suggested by an ambient light meter.
B)A slightly shorter-than-expected exposure than suggested by an ambient light meter.
C)Exactly the same exposure as suggested by an ambient light meter.
D)No changes are needed.Just use your in-camera light meter, meter off of the dark objects, and make your exposure.
A
2
Visual perception involves everything except:
A)Collection of light and color information by the eye.
B)Sending the visual information.
C)The brand of camera used.
D)Your prior knowledge and experiences.
A)Collection of light and color information by the eye.
B)Sending the visual information.
C)The brand of camera used.
D)Your prior knowledge and experiences.
C
3
If it is possible, position both the key light and the hair light on the:
A)Opposite side of the part in the model's hair.
B)Same side as the part in the model's hair.
C)Same side as the background light.
D)Same side as the fill light.
A)Opposite side of the part in the model's hair.
B)Same side as the part in the model's hair.
C)Same side as the background light.
D)Same side as the fill light.
B
4
Tonal values are always:
A)Red, green, and blue colors.
B)Cyan, magenta, yellow, and black colors.
C)Grayscale, black, and white.
D)None of the above.
A)Red, green, and blue colors.
B)Cyan, magenta, yellow, and black colors.
C)Grayscale, black, and white.
D)None of the above.
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5
True or false: High-contrast images always contain equal amounts of black and white in the image.
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6
What is the goal of the background light?
A)Illuminate the entire background so it is as bright as the model's clothing.
B)Illuminate the model's face.
C)Illuminate the model's hair.
D)Separate the model from the background.
A)Illuminate the entire background so it is as bright as the model's clothing.
B)Illuminate the model's face.
C)Illuminate the model's hair.
D)Separate the model from the background.
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7
To bring out the texture of a three-dimensional object, use:
A)Front light
B)Side light
C)Backlight
D)Fill light
A)Front light
B)Side light
C)Backlight
D)Fill light
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8
If you are using a polarizing filter at full polarized strength at noon on a sunny day, you can expect everything except:
A)Your in-camera light meter will suggest the same exposure as for an exposure without the polarizing filter on your camera.
B)Your in-camera light meter will suggest an exposure representing 2 stops more light than an exposure without the polarizing filter on your camera.
C)The blue sky will be rendered darker than without the polarizing filter.
D)Reflections off of water and shiny objects will be diminished.
A)Your in-camera light meter will suggest the same exposure as for an exposure without the polarizing filter on your camera.
B)Your in-camera light meter will suggest an exposure representing 2 stops more light than an exposure without the polarizing filter on your camera.
C)The blue sky will be rendered darker than without the polarizing filter.
D)Reflections off of water and shiny objects will be diminished.
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9
Color temperature is measured in:
A)Degrees Kelvin.
B)Degrees Fahrenheit.
C)Degrees Centigrade.
D)Degrees Aperture.
A)Degrees Kelvin.
B)Degrees Fahrenheit.
C)Degrees Centigrade.
D)Degrees Aperture.
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10
In classic portrait lighting, the fill light acts to illuminate:
A)A person's entire face at a power less than the main light.
B)The backdrop behind the model.
C)The face so it is rendered as a three-dimensional form.
D)The hands of the model.
A)A person's entire face at a power less than the main light.
B)The backdrop behind the model.
C)The face so it is rendered as a three-dimensional form.
D)The hands of the model.
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11
In a 3:1 lighting ratio:
A)2 units of light come from the key light, and 1 unit of light comes from the fill light.
B)3 units of light come from the key light, and 1 unit of light comes from the fill light.
C)2 units of light come from the fill light, and 1 unit of light comes from the key light.
D)3 units of light come from the fill light, and 1 unit of light comes from the key light.
A)2 units of light come from the key light, and 1 unit of light comes from the fill light.
B)3 units of light come from the key light, and 1 unit of light comes from the fill light.
C)2 units of light come from the fill light, and 1 unit of light comes from the key light.
D)3 units of light come from the fill light, and 1 unit of light comes from the key light.
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12
The term "short lighting" refers to placing the:
A)Key light on the side opposite the model's ear that is facing the camera.
B)Key light on the same side of the model's ear that is facing the camera.
C)Fill light on the side opposite the model's ear that is facing the camera.
D)Fill light on the same side of the model's ear that is facing the camera.
A)Key light on the side opposite the model's ear that is facing the camera.
B)Key light on the same side of the model's ear that is facing the camera.
C)Fill light on the side opposite the model's ear that is facing the camera.
D)Fill light on the same side of the model's ear that is facing the camera.
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13
The photoreceptors called rods are responsible for:
A)Collecting and interpreting information in terms of red, green, and blue colors.
B)Collecting and interpreting information in terms of cyan, magenta, yellow, and black colors.
C)Sending visual information to the brain.
D)Collecting and interpreting information in terms of black, white, and shades of gray.
A)Collecting and interpreting information in terms of red, green, and blue colors.
B)Collecting and interpreting information in terms of cyan, magenta, yellow, and black colors.
C)Sending visual information to the brain.
D)Collecting and interpreting information in terms of black, white, and shades of gray.
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14
Diffuse reflections are typical when light is:
A)Reflected through a liquid medium.
B)Reflected from a smooth-textured surface.
C)Reflected from a rough-textured surface.
D)Absorbed and not reflected at all.
A)Reflected through a liquid medium.
B)Reflected from a smooth-textured surface.
C)Reflected from a rough-textured surface.
D)Absorbed and not reflected at all.
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15
"Fast falloff" refers to:
A)How quickly highlight turns to shadow on a three-dimensional object.
B)How fast light dissipates as it travels.
C)Moving from a fast shutter speed to a slow shutter speed.
D)Moving from a slow shutter speed to a fast shutter speed.
A)How quickly highlight turns to shadow on a three-dimensional object.
B)How fast light dissipates as it travels.
C)Moving from a fast shutter speed to a slow shutter speed.
D)Moving from a slow shutter speed to a fast shutter speed.
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16
True or false: A blue color temperature is cooler than a yellow color temperature:
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17
What part of the camera is equivalent to the human eye's iris?
A)Aperture
B)Diaphragm
C)Photoreceptors
D)Sensor
A)Aperture
B)Diaphragm
C)Photoreceptors
D)Sensor
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18
What part of the camera is equivalent to the human eye's pupil?
A)Aperture
B)Diaphragm
C)Photoreceptors
D)Sensor
A)Aperture
B)Diaphragm
C)Photoreceptors
D)Sensor
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19
In classic portrait lighting, the key light acts to illuminate:
A)A person's entire face at a power less than the main light.
B)The backdrop behind the model.
C)The face so it is rendered as a three-dimensional form.
D)The hands of the model.
A)A person's entire face at a power less than the main light.
B)The backdrop behind the model.
C)The face so it is rendered as a three-dimensional form.
D)The hands of the model.
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20
If your model has no preference as to which side of his/her face is photographed, position your model so his/her:
A)Smaller eye is closest to the camera.
B)Larger eye is closest to the camera.
C)Smaller hand is closest to the camera.
D)Larger hand is closest to the camera.
A)Smaller eye is closest to the camera.
B)Larger eye is closest to the camera.
C)Smaller hand is closest to the camera.
D)Larger hand is closest to the camera.
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