Deck 8: Time

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Question
Most movies are linear; they are designed to be viewed from beginning to end

A) in the comfort of home.
B) in real time.
C) without pauses.
D) more than once.
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Question
Users are often able to control the experience when interacting with digital media. When this happens the experience is said to be

A) self-directed.
B) confusing.
C) nonlinear.
D) linear.
Question
Henri Cartier-Bresson described his photographs as capturing

A) shock and awe.
B) the decisive moment.
C) the essence of the thing.
D) angst.
Question
The following are true statements about the interplay of sequence and duration, except

A) still photos give makers control over sequence, but not duration.
B) the format of a CD gives producers control over duration, but users choose the sequence.
C) a movie gives makers control over sequence, but not duration.
D) none of the above.
Question
A sequence of film or video can refer to a

A) a series of shots.
B) a single shot.
C) both a and b.
D) none of the above.
Question
Live-on-tape programming is recorded live

A) then edited heavily, shots reordered and trimmed for time.
B) always in front of a live studio audience.
C) and then replayed later in the same time it took to record.
D) none of the above.
Question
The illusion of real time

A) refers to the fact that a scene that appears to be five minutes in the life of a character could have taken a day to film.
B) means that a show is recorded and played back later.
C) is when a scene edits out the boring day-to-day transitions the characters would experience in real life.
D) none of the above.
Question
A series is the bundling of individual songs or photos.
Question
A sequence of still photos can tell a story.
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Deck 8: Time
1
Most movies are linear; they are designed to be viewed from beginning to end

A) in the comfort of home.
B) in real time.
C) without pauses.
D) more than once.
B
2
Users are often able to control the experience when interacting with digital media. When this happens the experience is said to be

A) self-directed.
B) confusing.
C) nonlinear.
D) linear.
C
3
Henri Cartier-Bresson described his photographs as capturing

A) shock and awe.
B) the decisive moment.
C) the essence of the thing.
D) angst.
B
4
The following are true statements about the interplay of sequence and duration, except

A) still photos give makers control over sequence, but not duration.
B) the format of a CD gives producers control over duration, but users choose the sequence.
C) a movie gives makers control over sequence, but not duration.
D) none of the above.
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5
A sequence of film or video can refer to a

A) a series of shots.
B) a single shot.
C) both a and b.
D) none of the above.
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Unlock for access to all 9 flashcards in this deck.
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6
Live-on-tape programming is recorded live

A) then edited heavily, shots reordered and trimmed for time.
B) always in front of a live studio audience.
C) and then replayed later in the same time it took to record.
D) none of the above.
Unlock Deck
Unlock for access to all 9 flashcards in this deck.
Unlock Deck
k this deck
7
The illusion of real time

A) refers to the fact that a scene that appears to be five minutes in the life of a character could have taken a day to film.
B) means that a show is recorded and played back later.
C) is when a scene edits out the boring day-to-day transitions the characters would experience in real life.
D) none of the above.
Unlock Deck
Unlock for access to all 9 flashcards in this deck.
Unlock Deck
k this deck
8
A series is the bundling of individual songs or photos.
Unlock Deck
Unlock for access to all 9 flashcards in this deck.
Unlock Deck
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9
A sequence of still photos can tell a story.
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k this deck
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