Question 1

Which of the following is not Foley?&#10;A) Footsteps&#10;B) Prop handling&#10;C) Walla&#10;D) Cloth movement&#10;E) All of the above are Foley effects

Accepted Answer

Walla refers to the background murmur of a crowd, which is not typically considered a Foley effect. Foley effects are specifically created sounds for actions like footsteps, prop handling, and cloth movement.

Question 2

The Foley Mixer is responsible for recording Foley.

Accepted Answer

The Foley Mixer is responsible for recording and mixing Foley sounds, which are sound effects created to enhance the audio experience in films and other media.

Question 3

Like most music cues, Foley is recorded in post-production.

Accepted Answer

Foley, which involves creating sound effects for film, television, or other media, is indeed recorded during post-production to enhance or replace sounds captured during filming.

Question 4

Foley artists rarely perform effects in pairs. This practice is designed to make it easier for sound editors to tighten the sync.

Accepted Answer

Foley artists often perform effects in pairs or teams, as this allows for a more dynamic and realistic sound environment, making it easier to capture the nuances of physical interactions and movements.

Question 5

The most important reason to record Foley rather than editing an effect is to capture the performance.

Accepted Answer

Recording Foley allows for the creation of unique, performance-based sound effects that are synchronized with the visual action, providing a more authentic and immersive audio experience than simply editing pre-recorded effects.

Question 6

When evaluating Foley, tight synchronization is more important than performance qualities.

Accepted Answer

Tight synchronization is important in Foley, but performance qualities such as creativity, realism, and expressiveness are equally crucial to effectively enhance the audio experience in film or media.

Question 7

Multiple cloth passes are recorded to provide specific types of cloth prominent for each character.

Accepted Answer

Multiple cloth passes are recorded to capture the unique sounds of different types of cloth movement, ensuring that the audio accurately reflects the specific characteristics of each character's attire.

Question 8

The Foley mixer and Foley artists work together to decide which take will be selected.

Accepted Answer

The Foley mixer and Foley artists collaborate closely, with the Foley mixer responsible for recording the sounds created by the Foley artists. Together, they decide which take best matches the visual action and overall sound design of the project, ensuring the highest quality and most appropriate sound effects are selected for the final mix.

Question 9

Three preparatory beeps are placed at the beginning of a Foley cue to help the artists place the first prop movement or footstep.

Accepted Answer

The answer of Three preparatory beeps are placed at the...

Deck 6: Sound Editing