Deck 18: Rhythmic Movement Skills

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Rhythm is the basis of music and dance.
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The development of social skills and a positive self-concept occur when rhythmic activities are taught in a sensitive and educational manner.
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Tinikling steps and marching are introduced at Development Level I.
Question
Early rhythmic experiences should focus on functional and creative movement forms.
Question
Locomotor skills are inherently rhythmic in execution.
Question
Simple mixers are used to help children learn to find new partners and move rhythmically in Developmental Level II.
Question
The focus at Developmental Level I is offering activities that require a minimum of instruction while giving students a positive experience with rhythms.
Question
All body movements tend to be rhythmic.
Question
Rhythmic activities are NOT appropriate for younger children.
Question
Rhythmic activities provide a vehicle for expressive movement.
Question
Tempo is the underlying rhythm of the music.
Question
The speed of the music is referred to as the tempo.
Question
Beat is the speed of the music.
Question
Tempo refers to the manner in which the beats are put together to form a measure of music.
Question
A major use of the drumbeat is guiding the movement from one pattern to another by signaling tiny increments of change with light beats that control the flow.
Question
With creative movement, the emphasis is on the movement outcomes rather than on the process.
Question
At Developmental Level II, all the activities are taught with an emphasis on mastering simple locomotor skills rather than on performing the dances with perfection.
Question
At Developmental Level III, students are comfortable moving with partners of the opposite sex.
Question
Mood is related to music intensity.
Question
Instructional procedures include application of space, time, force, and flow.
Question
Improvising dances can provide children opportunities to express their talents.
Question
International understanding can be enhanced through folk dances.
Question
Level I folk dances consist of simple fundamental locomotor skills.
Question
The underlying goal of folk dancing is to learn to move rhythmically.
Question
Using partners should be avoided when teaching a new activity.
Question
It is best to avoid the left-right and clockwise-counterclockwise orientations when introducing a new dance.
Question
It is inappropriate to modify rhythmic activities.
Question
Rhythmic activities should be taught differently than sport skills.
Question
Foot stomping dances do NOT appeal to boys.
Question
Early experiences in rhythmic movement should focus on:

A) square dance.
B) aerobic dance.
C) creative movement forms.
D) folk dance.
Question
Appropriate Developmental Level II rhythmic movements include:

A) advanced tinikling.
B) the step-hop.
C) square dancing.
D) creative rhythms
Question
Stimulating creativity includes all of the following EXCEPT:

A) suggestions.
B) encouragement.
C) challenges.
D) teacher modeling.
Question
The speed of the music is referred to as:

A) tempo.
B) beat.
C) meter.
D) mood.
Question
Essential characteristics of music that children should recognize, understand, and appreciate include:

A) tempo, intensity and beats.
B) tempo, intensity, and volume.
C) decibals, intensity, and beats.
D) rhythms, drills and volume.
Question
Certain notes or beats in a rhythmic pattern that receive more force than others define:

A) intensity.
B) accent.
C) beat.
D) tempo.
Question
If children are to move to a rhythm, it must be:

A) traditional music.
B) physically demanding.
C) appealing to the learners.
D) forced.
Question
Which of the following is an example of dramatization and rhythms?

A) following a rubric
B) performing favorite parts in popular movies
C) running a mile
D) performing 15 sit-ups
Question
Developmental Level I folk dances are characterized by:

A) fundamental locomotor skills.
B) each dance having at least two parts.
C) the part-whole teaching method.
D) skill and finesse.
Question
Which of the following are ways of modifying rhythmic activities to increase the probability of success?

A) Slow down the music.
B) Use the whole-part-whole teaching approach (for short dances).
C) Introduce multiple new dances simultaneously.
D) Require competency of steps first.
Question
Ways to increase students' interest in rhythmic activities include:

A) using current music.
B) partnering boys with girls.
C) teaching traditional dances.
D) grading them on perfection of steps.
Question
Acceptable methods for arranging dance partners include all of the following EXCEPT:

A) students dance with the partner of their choice.
B) teacher matches students with a partner.
C) refer to partners as Partner A and Partner B.
D) girls stand in a circle and boys stand in a circle and move opposite each other.
Question
Identify two examples of rhythmic accompaniment and its purpose.
Question
How can students express moods and feelings and show reactions to colors and sound?
Question
Define a folk dance and what type of understanding does it elicit?
Question
How can teachers modify folk dances to be more appealing to students?
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Deck 18: Rhythmic Movement Skills
1
Rhythm is the basis of music and dance.
True
2
The development of social skills and a positive self-concept occur when rhythmic activities are taught in a sensitive and educational manner.
True
3
Tinikling steps and marching are introduced at Development Level I.
False
4
Early rhythmic experiences should focus on functional and creative movement forms.
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5
Locomotor skills are inherently rhythmic in execution.
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6
Simple mixers are used to help children learn to find new partners and move rhythmically in Developmental Level II.
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7
The focus at Developmental Level I is offering activities that require a minimum of instruction while giving students a positive experience with rhythms.
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8
All body movements tend to be rhythmic.
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9
Rhythmic activities are NOT appropriate for younger children.
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10
Rhythmic activities provide a vehicle for expressive movement.
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11
Tempo is the underlying rhythm of the music.
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12
The speed of the music is referred to as the tempo.
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13
Beat is the speed of the music.
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14
Tempo refers to the manner in which the beats are put together to form a measure of music.
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15
A major use of the drumbeat is guiding the movement from one pattern to another by signaling tiny increments of change with light beats that control the flow.
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16
With creative movement, the emphasis is on the movement outcomes rather than on the process.
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17
At Developmental Level II, all the activities are taught with an emphasis on mastering simple locomotor skills rather than on performing the dances with perfection.
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18
At Developmental Level III, students are comfortable moving with partners of the opposite sex.
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19
Mood is related to music intensity.
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20
Instructional procedures include application of space, time, force, and flow.
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21
Improvising dances can provide children opportunities to express their talents.
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22
International understanding can be enhanced through folk dances.
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23
Level I folk dances consist of simple fundamental locomotor skills.
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24
The underlying goal of folk dancing is to learn to move rhythmically.
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25
Using partners should be avoided when teaching a new activity.
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26
It is best to avoid the left-right and clockwise-counterclockwise orientations when introducing a new dance.
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27
It is inappropriate to modify rhythmic activities.
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28
Rhythmic activities should be taught differently than sport skills.
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29
Foot stomping dances do NOT appeal to boys.
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30
Early experiences in rhythmic movement should focus on:

A) square dance.
B) aerobic dance.
C) creative movement forms.
D) folk dance.
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k this deck
31
Appropriate Developmental Level II rhythmic movements include:

A) advanced tinikling.
B) the step-hop.
C) square dancing.
D) creative rhythms
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32
Stimulating creativity includes all of the following EXCEPT:

A) suggestions.
B) encouragement.
C) challenges.
D) teacher modeling.
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33
The speed of the music is referred to as:

A) tempo.
B) beat.
C) meter.
D) mood.
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Unlock Deck
k this deck
34
Essential characteristics of music that children should recognize, understand, and appreciate include:

A) tempo, intensity and beats.
B) tempo, intensity, and volume.
C) decibals, intensity, and beats.
D) rhythms, drills and volume.
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Unlock for access to all 45 flashcards in this deck.
Unlock Deck
k this deck
35
Certain notes or beats in a rhythmic pattern that receive more force than others define:

A) intensity.
B) accent.
C) beat.
D) tempo.
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Unlock Deck
k this deck
36
If children are to move to a rhythm, it must be:

A) traditional music.
B) physically demanding.
C) appealing to the learners.
D) forced.
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Unlock for access to all 45 flashcards in this deck.
Unlock Deck
k this deck
37
Which of the following is an example of dramatization and rhythms?

A) following a rubric
B) performing favorite parts in popular movies
C) running a mile
D) performing 15 sit-ups
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Unlock Deck
k this deck
38
Developmental Level I folk dances are characterized by:

A) fundamental locomotor skills.
B) each dance having at least two parts.
C) the part-whole teaching method.
D) skill and finesse.
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Unlock for access to all 45 flashcards in this deck.
Unlock Deck
k this deck
39
Which of the following are ways of modifying rhythmic activities to increase the probability of success?

A) Slow down the music.
B) Use the whole-part-whole teaching approach (for short dances).
C) Introduce multiple new dances simultaneously.
D) Require competency of steps first.
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Unlock for access to all 45 flashcards in this deck.
Unlock Deck
k this deck
40
Ways to increase students' interest in rhythmic activities include:

A) using current music.
B) partnering boys with girls.
C) teaching traditional dances.
D) grading them on perfection of steps.
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Unlock for access to all 45 flashcards in this deck.
Unlock Deck
k this deck
41
Acceptable methods for arranging dance partners include all of the following EXCEPT:

A) students dance with the partner of their choice.
B) teacher matches students with a partner.
C) refer to partners as Partner A and Partner B.
D) girls stand in a circle and boys stand in a circle and move opposite each other.
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k this deck
42
Identify two examples of rhythmic accompaniment and its purpose.
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43
How can students express moods and feelings and show reactions to colors and sound?
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44
Define a folk dance and what type of understanding does it elicit?
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45
How can teachers modify folk dances to be more appealing to students?
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