Deck 1: Experiencing Art
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Deck 1: Experiencing Art
1
Palladio's Villa Rotonda relates to its environment by:
A) subtly integrating with it.
B) dominating the site.
C) becoming virtually invisible.
D) all of these.
E) none of these.
A) subtly integrating with it.
B) dominating the site.
C) becoming virtually invisible.
D) all of these.
E) none of these.
B
2
The most striking feature of Wright's Fallingwater is that the building's structure responds to:
A) European building style.
B) the Pittsburgh skyline.
C) ancient material limitations.
D) the site.
E) all of these.
A) European building style.
B) the Pittsburgh skyline.
C) ancient material limitations.
D) the site.
E) all of these.
D
3
Raphael's Philosophy is illusionistic; this means that the objects represented:
A) appear to exist within actual space.
B) seem to be weighty.
C) seem to be tangible.
D) all of these.
E) none of these.
A) appear to exist within actual space.
B) seem to be weighty.
C) seem to be tangible.
D) all of these.
E) none of these.
D
4
Works of art from the same historical period and culture often share similar ____________ characteristics.
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5
"Sculpture in the round" is sculpture that is:
A) finished on all sides.
B) part of a wall.
C) meant to be viewed from one vantage point.
D) all of these.
E) none of these.
A) finished on all sides.
B) part of a wall.
C) meant to be viewed from one vantage point.
D) all of these.
E) none of these.
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6
To properly understand the Bwa mask Bird of the Night as a sculptural form,we must also consider:
A) the spiritual context.
B) the participation of the onlookers in the ritual.
C) the dynamic context.
D) all of these.
E) none of these.
A) the spiritual context.
B) the participation of the onlookers in the ritual.
C) the dynamic context.
D) all of these.
E) none of these.
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7
When first experiencing an unfamiliar work of art,start by asking questions about:
A) expressive content, historical style, individual style.
B) patrons, function, and collocation.
C) historical significance and historical context.
D) composition, formal analysis, medium and technique.
E) all of these.
A) expressive content, historical style, individual style.
B) patrons, function, and collocation.
C) historical significance and historical context.
D) composition, formal analysis, medium and technique.
E) all of these.
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8
In Bernini's Apollo and Daphne,the ____________ is energized by the extension of the figures' limbs and the sculptural form.
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9
According to Mircea Eliade,within traditional societies objects such as the Bwa mask acquire meaning because they participate in:
A) a ritual that links seasonal cycles to the cosmos.
B) the inter-tribal warfare.
C) the blessing of a new building.
D) all of these.
E) none of these.
A) a ritual that links seasonal cycles to the cosmos.
B) the inter-tribal warfare.
C) the blessing of a new building.
D) all of these.
E) none of these.
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10
The design of the Katsura Imperial Villa was inspired by the tenets of Zen Buddhism to create an integration of the building with ____________.
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11
The term used to describe how the appearance of a work of art is tied to the period during which it was created is ____________.
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12
In northeast Nigeria Wodaabe women carve gourds into calabashes; most of these are treasured as:
A) ceremonial possessions.
B) utensils to hold porridge.
C) vessels to carry milk.
D) all of these.
E) none of these.
A) ceremonial possessions.
B) utensils to hold porridge.
C) vessels to carry milk.
D) all of these.
E) none of these.
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13
In Philosophy Raphael creates his illusion of three-dimensional reality by:
A) overlapping.
B) diminution.
C) atmospheric perspective.
D) scientific perspective.
E) all of these.
A) overlapping.
B) diminution.
C) atmospheric perspective.
D) scientific perspective.
E) all of these.
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14
Daniel Chester French's Minuteman is animated by a suggested sense of movement created by the contrast of the vertical axis with the:
A) horizontals of the base.
B) cantilever of the hat.
C) diagonals of right leg and musket.
D) all of these.
E) none of these.
A) horizontals of the base.
B) cantilever of the hat.
C) diagonals of right leg and musket.
D) all of these.
E) none of these.
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15
In Guo Xi's painting Early Spring,despite the curvilinear and diagonal elements,the work has an axial composition because:
A) of the primary color scheme.
B) of its circular format.
C) the mountain dominates.
D) all of these.
E) none of these.
A) of the primary color scheme.
B) of its circular format.
C) the mountain dominates.
D) all of these.
E) none of these.
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16
Viewing a horizontal hand scroll is unlike viewing a wall painting because the horizontal hand scroll is:
A) not seen in its entirety at one time.
B) like a journey involving time.
C) meant to be viewed by one or few persons.
D) all of these.
E) none of these.
A) not seen in its entirety at one time.
B) like a journey involving time.
C) meant to be viewed by one or few persons.
D) all of these.
E) none of these.
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17
Bernini's Apollo and Daphne emphasizes dramatic movement primarily because it:
A) uses only strict verticals and horizontals.
B) is composed on a diagonal axis.
C) involves axial stability.
D) all of these.
E) none of these.
A) uses only strict verticals and horizontals.
B) is composed on a diagonal axis.
C) involves axial stability.
D) all of these.
E) none of these.
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18
The patron for Bernini's Apollo and Daphne was ____________.
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19
Controlled city designs,such as the Forbidden City in Beijing,imply:
A) notions of utility within society.
B) a centralized authority.
C) notions of efficiency.
D) all of these.
E) none of these.
A) notions of utility within society.
B) a centralized authority.
C) notions of efficiency.
D) all of these.
E) none of these.
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20
The word "style" derives from stylus,that is:
A) a Greek word for history.
B) Latin for writing instrument.
C) Egyptian for spiritual content.
D) all of these.
E) none of these.
A) a Greek word for history.
B) Latin for writing instrument.
C) Egyptian for spiritual content.
D) all of these.
E) none of these.
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21
The ancient Chinese Terra-cotta warrior proclaims instability and transience.
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22
During certain periods artists formed ____________,which were like trade unions and assured professional standards.
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23
The relative darkness or lightness of a color is called the ____________.
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24
A painting technique that utilizes broad,free brushstrokes to define form is termed
____________.
____________.
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25
Upon encountering an unfamiliar artwork,one begins one's communication with the work by interpreting.
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26
Iconology is the art-historical study that interprets what?
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27
The level of richness or saturation of a color is termed value.
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28
A cantilever is a vertical projection into space.
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29
When we study finished works of art,it is important to ignore the artist's creative process.
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30
Early in the 19ᵗʰ century,the concept was born of the artist as a member of the
____________,who progressively leads society.
____________,who progressively leads society.
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31
The particular manner of visual expression created by an individual artist is known as individual style.
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32
Davis Smith's Cubi XIX is nonrepresentational because it does not ____________ actual figures or real objects.
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33
Because Mondrian's Composition No.8 leads us to the periphery without concentrating on any single area or element,the composition could be described as ____________.
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34
The visual arts are a rare feature of human culture.
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35
In Raphael's Philosophy,the composition is arranged to emphasize the figures of
____________ and ____________.
____________ and ____________.
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36
The rigid geometric layout visible at the Forbidden City in Beijing symbolized the relationships between heaven and earth,as well as between the ancestors and ____________.
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37
The Bwa Butterfly mask,like certain works of contemporary art,is ephemeral; this means that it lasts ____________.
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38
Mondrian's Composition No.8,1939-42,with Red,Blue,and Yellow reinforces the flatness of the picture plane.
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39
In Palladio's Villa Rotonda,the arrangement is governed by symmetry and balance.
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40
According to Xu Bing's interpretation of Chan Buddhist thought,the work of art is useless in itself.
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41
In the 15ᵗʰ century,what transformed the traditional Western classification of the visual arts as manual or mechanical?
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42
What are the means of atmospheric perspective?
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43
In the Chinese classical tradition among the aristocracy,discuss the three "perfections" and what they helped to preserve.
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44
In Ancient Greece,how was the production of art viewed?
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45
Mondrian's Composition No.8 is orderly and serene; it shows his search for pictorial balance,and his search for what else?
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46
Describe how Frank Lloyd Wright achieves unity in Fallingwater despite the asymmetrical design?
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