Deck 12: Product and Clothing Design
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Deck 12: Product and Clothing Design
1
The designer Issey Miyake once said __________.
A) "Form follows function"
B) "Clothes make the man"
C) "Clothes are not wrappings."
D) "Tradition, tradition"
A) "Form follows function"
B) "Clothes make the man"
C) "Clothes are not wrappings."
D) "Tradition, tradition"
C
2
In post-World War I Germany,the Bauhaus led a pioneering approach to __________.
A) teach people how to make their own crafts
B) instill the idea that functionality in household goods was more important than aesthetics
C) bring an aesthetic approach to mass-produced functional goods
D) none of the above
A) teach people how to make their own crafts
B) instill the idea that functionality in household goods was more important than aesthetics
C) bring an aesthetic approach to mass-produced functional goods
D) none of the above
C
3
The Bauhaus aesthetic developed into the highly influential __________ style of architecture.
A) International
B) Postmodern
C) Prairie
D) Baroque
A) International
B) Postmodern
C) Prairie
D) Baroque
A
4
The Mono firm in __________ is renowned for its philosophy of designing cutlery and other utensils that are so sophisticated and elegant as to be "timeless."
A) Germany
B) England
C) America
D) Denmark
A) Germany
B) England
C) America
D) Denmark
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5
The Delphos pleated dress by Mario Fortuny from 1912 illustrates __________.
A) clothes which are convenient for traveling
B) women's liberation from Victorian constraints
C) classical Greek influence
D) all of the above
A) clothes which are convenient for traveling
B) women's liberation from Victorian constraints
C) classical Greek influence
D) all of the above
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6
In addition to aesthetic elements our clothes carry __________ that convey more than simply their function.
A) practical aspects
B) symbolic connotations
C) convenience
D) conventional designs
A) practical aspects
B) symbolic connotations
C) convenience
D) conventional designs
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7
Mobile phones are mass-produced on a huge scale and offered in many designs to __________.
A) maximize visual and tactile appeal
B) suit customer's color preferences
C) accommodate a wide range of functions
D) all of the above
A) maximize visual and tactile appeal
B) suit customer's color preferences
C) accommodate a wide range of functions
D) all of the above
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8
__________ are flourishing in many countries,some of which receive government support.
A) Product recyclers
B) Automobile manufacturers
C) Internet design service companies
D) Design houses
A) Product recyclers
B) Automobile manufacturers
C) Internet design service companies
D) Design houses
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9
The art of dressing often connotes __________.
A) class rank
B) personal hygiene
C) taste in fashion
D) imagination
A) class rank
B) personal hygiene
C) taste in fashion
D) imagination
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10
An example of form following function is __________.
A) the design of small, fuel-efficient automobiles
B) a transparent vacuum cleaner
C) a chair made with polished, bent tubular steel for legs and arms
D) all of the above
A) the design of small, fuel-efficient automobiles
B) a transparent vacuum cleaner
C) a chair made with polished, bent tubular steel for legs and arms
D) all of the above
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11
The science of designing for efficient and comfortable interaction between a product andthe human body is called __________.
A) the Kazuo principle
B) physical economics
C) the Kotlean method
D) ergonomics
A) the Kazuo principle
B) physical economics
C) the Kotlean method
D) ergonomics
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12
The Japanese word for clothing,fuku,also means __________.
A) happiness
B) comfort
C) tranquility
D) confusion
A) happiness
B) comfort
C) tranquility
D) confusion
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13
The principle that form should be determined by function is most closely associated with __________.
A) Nokia
B) the Bauhaus
C) Dyson vacuum cleaners
D) Evan Eisler
A) Nokia
B) the Bauhaus
C) Dyson vacuum cleaners
D) Evan Eisler
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14
The Bauhaus became famous for __________.
A) decorative flourishes in architecture and product design
B) a clean, open, and unornamented rationality in design
C) advocating comfort over design
D) using only mass-produced industrial materials in their products
A) decorative flourishes in architecture and product design
B) a clean, open, and unornamented rationality in design
C) advocating comfort over design
D) using only mass-produced industrial materials in their products
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15
A new consideration that has entered the world of high fashion is the__________.
A) social impact of clothing
B) tenvironmetnal impact of clothing
C) hypoallergetic impact of clothing
D) artistic merit of clothing
A) social impact of clothing
B) tenvironmetnal impact of clothing
C) hypoallergetic impact of clothing
D) artistic merit of clothing
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16
Hiroshi Morishima's Wagami Andon demonstrates how the development of __________ has allowed lighting designers to use relatively flammable materials near the light source.
A) fiber optics
B) efficient electrical wiring
C) halogen lights
D) handmade paper
A) fiber optics
B) efficient electrical wiring
C) halogen lights
D) handmade paper
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17
The cloth for a sari is woven,but not __________ because Hindus believe that would make it impure.
A) dyed
B) blocked
C) flocked
D) stitched
A) dyed
B) blocked
C) flocked
D) stitched
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18
The engraving by Voisard,A Lady of Fashion ,illustrates __________.
A) an eighteenth-century fashion designer's fantasy
B) the costume of an actress in 1770s France
C) the style of a woman from the upper class in 1770s France
D) none of the above
A) an eighteenth-century fashion designer's fantasy
B) the costume of an actress in 1770s France
C) the style of a woman from the upper class in 1770s France
D) none of the above
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19
The most highly elaborated part of the sari is the __________.
A) border
B) design that runs through the middle
C) endpiece
D) head covering
A) border
B) design that runs through the middle
C) endpiece
D) head covering
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20
Some people consider the clothing designed by Issey Miyake to be __________.
A) too expensive to actually wear
B) wearable art
C) lacking in imagination
D) two-dimensional
A) too expensive to actually wear
B) wearable art
C) lacking in imagination
D) two-dimensional
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21
Some contemporary designers attempt to maintain or revive older labor-intensive techniques as a symbol of cultural heritage.
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22
Fashion has never been used as a means of accentuating one's gender image.
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23
The conservative dress of men in twentieth century Western society is typical of how Western men have dressed throughout history.
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24
The goal of the science of designing products to interact with the human body is an attempt to make them more visually appealing to consumers.
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25
Mario Fortuny's Delphos dress was inspired by the draped garments of Classical Greece.
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