Deck 10: Romanesque Art
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Deck 10: Romanesque Art
1
St.-Pierre,Moissac demonstrated a comprehensive sculptural program in its
A) portal
B) porch
C) westwork
D) portal and porch
A) portal
B) porch
C) westwork
D) portal and porch
D
2
A reliquary is a
A) cinerary urn
B) medieval sarcophagus
C) a container for relics
D) a jeweled container
A) cinerary urn
B) medieval sarcophagus
C) a container for relics
D) a jeweled container
C
3
The Liber Sancti Jacobi was a
A) 12th-century biography of St. Jacob
B) 12th-century biography of St. James
C) 12th-century guide for pilgrims
D) 12th-century guide to the pilgrimage roads
A) 12th-century biography of St. Jacob
B) 12th-century biography of St. James
C) 12th-century guide for pilgrims
D) 12th-century guide to the pilgrimage roads
C
4
Which is not true of the Stavelot reliquary?
A) it is a triptych
B) it illustrates the Legend of the True Cross
C) it is located in Holland
D) it attracted pilgrims to Belgium
E) it was believed to contain a nail used in the Crucifixion
A) it is a triptych
B) it illustrates the Legend of the True Cross
C) it is located in Holland
D) it attracted pilgrims to Belgium
E) it was believed to contain a nail used in the Crucifixion
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5
Who was the sculptor at Autun?
A) Durand
B) Giselbertus
C) Jacobus
D) no one knows
A) Durand
B) Giselbertus
C) Jacobus
D) no one knows
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6
Which is not a feature of the typical Romanesque portal?
A) voussoir
B) tympanum
C) lintel
D) door jamb
E) transept
A) voussoir
B) tympanum
C) lintel
D) door jamb
E) transept
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7
The traditional apocalyptic symbols of the Evangelists are
A) a bull, an eagle, a serpent, a lion
B) a bull, a serpent, an eagle, an angel
C) a serpent, a lion, an angel, an eagle
D) an angel, a bull, an eagle, a lion
A) a bull, an eagle, a serpent, a lion
B) a bull, a serpent, an eagle, an angel
C) a serpent, a lion, an angel, an eagle
D) an angel, a bull, an eagle, a lion
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8
Which is not part of the plan of Sainte-Foy at Conques?
A) a narthex
B) a nave
C) a transept
D) a crossing
E) an apse
A) a narthex
B) a nave
C) a transept
D) a crossing
E) an apse
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9
Which best describes the tympanum of Saint-Pierre at Moissac?
A) the figures are elongated and stylized
B) the figures are frontal and elongated
C) the figures are naturalistic and patterned
D) the figures are elongated and are made of marble
A) the figures are elongated and stylized
B) the figures are frontal and elongated
C) the figures are naturalistic and patterned
D) the figures are elongated and are made of marble
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10
Examples of Romanesque style outside of France are found
A) in Norway
B) at Pisa
C) in Belgium
D) at Castel Appiano
E) all of the choices are correct.
A) in Norway
B) at Pisa
C) in Belgium
D) at Castel Appiano
E) all of the choices are correct.
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11
The three most popular pilgrimage sites were
A) Rome, Paris, and Jerusalem
B) Compostela, Paris, and Rome
C) Rome, Compostela, and Jerusalem
D) Paris, Jerusalem, and Compostela
A) Rome, Paris, and Jerusalem
B) Compostela, Paris, and Rome
C) Rome, Compostela, and Jerusalem
D) Paris, Jerusalem, and Compostela
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12
Romanesque architects used all of the following except
A) ribbed vaults
B) flying buttresses
C) towers
D) clerestory windows
A) ribbed vaults
B) flying buttresses
C) towers
D) clerestory windows
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13
A refectory is
A) container for relics
B) a monastery kitchen
C) a monastery dining hall
D) a mirror image
A) container for relics
B) a monastery kitchen
C) a monastery dining hall
D) a mirror image
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14
Sainte-Foy at Conques was dedicated to
A) Saint Faith
B) Saint Frederic
C) Saint Philobert
D) Saint Francis
A) Saint Faith
B) Saint Frederic
C) Saint Philobert
D) Saint Francis
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15
The tympanum at Moissac shows
A) the Last Judgment
B) Christ in Glory with the Elders of the Apocalypse
C) Crucifixion
D) the Virgin and Child
A) the Last Judgment
B) Christ in Glory with the Elders of the Apocalypse
C) Crucifixion
D) the Virgin and Child
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16
Romanesque buildings were supported by
A) stylobates
B) flying buttresses
C) buttresses
D) podia
A) stylobates
B) flying buttresses
C) buttresses
D) podia
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17
Saint-Pierre at Moissac has a visionary character because
A) it was inspired by a vision of St. Peter
B) it was inspired by a dream of Clovis
C) it was inspired by a miracle of St. Peter
D) it was inspired by an oracle
A) it was inspired by a vision of St. Peter
B) it was inspired by a dream of Clovis
C) it was inspired by a miracle of St. Peter
D) it was inspired by an oracle
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18
Most innovative Romanesque works were created in
A) France
B) Germany
C) Italy
D) Spain
E) England
A) France
B) Germany
C) Italy
D) Spain
E) England
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19
Romanesque refers to
A) a distinctive style in western Europe from 1000 to 1400
B) a period of western European art and history
C) a range of styles with regional variations
D) Medieval sculpture and architecture, but not painting
A) a distinctive style in western Europe from 1000 to 1400
B) a period of western European art and history
C) a range of styles with regional variations
D) Medieval sculpture and architecture, but not painting
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20
The cleric who criticized the extravagant decoration of places like the cloister of St-Pierre,Moissac,was
A) St. James of Compostela
B) St. Bernard
C) St. Francis
D) St. Benedict
A) St. James of Compostela
B) St. Bernard
C) St. Francis
D) St. Benedict
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21
Because the year 1000 suggested the end of time,Romanesque churches often showed the Last Judgment on
A) the jambs
B) the tribune
C) the tympanum
D) the trumeau
A) the jambs
B) the tribune
C) the tympanum
D) the trumeau
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22
William the Conqueror encouraged
A) the building of churches in Normandy
B) the conquest of Anglo-Saxon England
C) the building of churches in England
D) all of the choices are correct.
A) the building of churches in Normandy
B) the conquest of Anglo-Saxon England
C) the building of churches in England
D) all of the choices are correct.
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23
The Bayeux Tapestry is
A) a tapestry
B) an embroidery
C) a Viking work
D) a parchment
A) a tapestry
B) an embroidery
C) a Viking work
D) a parchment
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24
Tall twin towers were integrated into the facades of Romanesque churches in ___________.
A) Italy
B) England
C) South of France
D) Normandy
A) Italy
B) England
C) South of France
D) Normandy
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25
The text on the Bayeux Tapestry is
A) in French
B) in English
C) in Norwegian
D) in Latin
E) in Anglo-Saxon
A) in French
B) in English
C) in Norwegian
D) in Latin
E) in Anglo-Saxon
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26
The subject of the Bayeux Tapestry is
A) the construction of Bayeux Cathedral
B) the Norman conquest
C) the Viking invasion of Europe
D) the Saxon invasion of Normandy
A) the construction of Bayeux Cathedral
B) the Norman conquest
C) the Viking invasion of Europe
D) the Saxon invasion of Normandy
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27
The Bayeux Tapestry was probably commissioned by
A) William the Conqueror
B) Giselbertus
C) Bishop Odo
D) the Norman Queen Mathilde
E) Harold of Saxony
A) William the Conqueror
B) Giselbertus
C) Bishop Odo
D) the Norman Queen Mathilde
E) Harold of Saxony
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