Deck 22: Nineteenth-Century Impressionism
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Deck 22: Nineteenth-Century Impressionism
1
Edo refers to
A)the U.S.expeditionary force's command vessel.
B)a Chinese painter.
C)the former name of Tokyo.
D)the former name of Shanghai.
E)a kind of Japanese theater.
A)the U.S.expeditionary force's command vessel.
B)a Chinese painter.
C)the former name of Tokyo.
D)the former name of Shanghai.
E)a kind of Japanese theater.
C
2
Which is the LEAST typical subject in Impressionism?
A)café scenes
B)military scenes
C)circus scenes
D)landscapes
E)theaters and concerts
A)café scenes
B)military scenes
C)circus scenes
D)landscapes
E)theaters and concerts
B
3
The expedition that forced Japan to end its isolation policy was led by
A)Charles Darwin.
B)Vasco da Gama.
C)Henry Hudson.
D)Matthew Perry.
A)Charles Darwin.
B)Vasco da Gama.
C)Henry Hudson.
D)Matthew Perry.
D
4
Kabuki and Noh are
A)characters in a Japanese play.
B)Japanese playwrights.
C)types of Japanese theater.
D)types of Japanese actors.
A)characters in a Japanese play.
B)Japanese playwrights.
C)types of Japanese theater.
D)types of Japanese actors.
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5
The artist who painted the same scene under different conditions of lighting was
A)Manet.
B)Monet.
C)Renoir.
D)Degas.
A)Manet.
B)Monet.
C)Renoir.
D)Degas.
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6
The two greatest woodblock artists who emphasized landscape were
A)Hiroshige and Hokusai.
B)Utagawa and Utamaro.
C)Kuniyoshi and Kinisada.
D)Utamaro and Kuniyoshi.
A)Hiroshige and Hokusai.
B)Utagawa and Utamaro.
C)Kuniyoshi and Kinisada.
D)Utamaro and Kuniyoshi.
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7
The artist most known for his "waterscapes" was
A)Manet.
B)Monet.
C)Renoir.
D)Degas.
A)Manet.
B)Monet.
C)Renoir.
D)Degas.
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8
Ukiyo-e refers to
A)a transient world.
B)a Japanese play.
C)a Japanese courtesan.
D)a kind of kimono.
A)a transient world.
B)a Japanese play.
C)a Japanese courtesan.
D)a kind of kimono.
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9
Manet's A Bar at the Folies-Bergère is an example of
A)Realism.
B)still life.
C)portraiture.
D)cropped view.
A)Realism.
B)still life.
C)portraiture.
D)cropped view.
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10
The façade of the Paris Opéra is
A)Classical in style.
B)Realist in style.
C)Impressionist in style.
D)Baroque in style.
A)Classical in style.
B)Realist in style.
C)Impressionist in style.
D)Baroque in style.
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11
The sailors' apparent indifference in Degas' A Fair Wind suggests
A)a child's perspective.
B)an inability to depict three-dimensional space.
C)a candid photograph.
D)that the figures are drunk.
A)a child's perspective.
B)an inability to depict three-dimensional space.
C)a candid photograph.
D)that the figures are drunk.
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12
Berthe Morisot was
A)Manet's sister.
B)Manet's wife.
C)Manet's mother.
D)Manet's sister-in-law.
E)Manet's daughter.
A)Manet's sister.
B)Manet's wife.
C)Manet's mother.
D)Manet's sister-in-law.
E)Manet's daughter.
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13
The Café Guerbois was
A)a nightclub in Paris.
B)a meeting place for artists.
C)a bourgeois coffee shop.
D)the title of an Impressionist painting.
A)a nightclub in Paris.
B)a meeting place for artists.
C)a bourgeois coffee shop.
D)the title of an Impressionist painting.
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14
The water in the Garden at Sainte-Adresse is an example of
A)broken color.
B)silhouetting.
C)flat color.
D)a pure hue.
A)broken color.
B)silhouetting.
C)flat color.
D)a pure hue.
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15
The Second Empire refers to
A)Napoleon I's Empire.
B)Napoleon II's Empire.
C)the period in which Napoleon I's nephew ruled France.
D)the period in which Napoleon II's son ruled France.
A)Napoleon I's Empire.
B)Napoleon II's Empire.
C)the period in which Napoleon I's nephew ruled France.
D)the period in which Napoleon II's son ruled France.
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16
Which is NOT a feature of Manet's Zola?
A)Olympia
B)a Japanese print
C)a Chinese screen
D)Velázquez's The Drinkers
A)Olympia
B)a Japanese print
C)a Chinese screen
D)Velázquez's The Drinkers
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17
Which is NOT an example of photographic influence on the Impressionist style?
A)the cropped viewpoint
B)the slanted floor
C)the silhouette
D)blurring
E)a preference for black and white over color
A)the cropped viewpoint
B)the slanted floor
C)the silhouette
D)blurring
E)a preference for black and white over color
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18
Which artist sketched ballerinas from the wings of the stage?
A)Monet
B)Manet
C)Renoir
D)Degas
A)Monet
B)Manet
C)Renoir
D)Degas
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19
A particular aspect of Haussmann's renovations of Paris that appealed to Impressionist painters was
A)the slums.
B)the department stores.
C)the boulevards.
D)the restaurants.
E)the Opéra.
A)the slums.
B)the department stores.
C)the boulevards.
D)the restaurants.
E)the Opéra.
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20
An example of a silhouette can be found in
A)Manet's chandelier in A Bar at the Folies-Bergères.
B)The rower in Cassatt's The Boating Party.
C)The flags in Monet's Garden at Sainte-Adresse.
D)The vases in The Daughters of Edward Darley Boit.
A)Manet's chandelier in A Bar at the Folies-Bergères.
B)The rower in Cassatt's The Boating Party.
C)The flags in Monet's Garden at Sainte-Adresse.
D)The vases in The Daughters of Edward Darley Boit.
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21
The amount awarded Whistler in his successful libel suit was
A)one pence.
B)one shilling.
C)one pound.
D)one farthing.
A)one pence.
B)one shilling.
C)one pound.
D)one farthing.
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22
Which is NOT a feature of Sargent's Impressionism?
A)the dissolution of form
B)the "slice of life" view
C)the oblique view
D)the use of japonisme
A)the dissolution of form
B)the "slice of life" view
C)the oblique view
D)the use of japonisme
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23
Balzac was
A)an Impressionist sculptor.
B)a French novelist.
C)a French photographer.
D)a French actor.
A)an Impressionist sculptor.
B)a French novelist.
C)a French photographer.
D)a French actor.
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24
The dates of the American Civil War are
A)1860 to 1867.
B)1850 to 1854.
C)1860 to 1864.
D)1800 to 1804.
A)1860 to 1867.
B)1850 to 1854.
C)1860 to 1864.
D)1800 to 1804.
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25
For Whistler,
A)color was probity and drawing was vice.
B)etching was superior to painting.
C)drawing was masculine and color was feminine.
D)color was vice and drawing was musical.
A)color was probity and drawing was vice.
B)etching was superior to painting.
C)drawing was masculine and color was feminine.
D)color was vice and drawing was musical.
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26
The philosophy of "art for art's sake" is basically
A)formalist.
B)iconographic.
C)feminist.
D)Marxist.
E)semiotic.
A)formalist.
B)iconographic.
C)feminist.
D)Marxist.
E)semiotic.
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27
The trial between Whistler and Ruskin exemplified
A)the rise of the art critic as a force in the art world.
B)the insanity of misjudging art.
C)the conflict between the Rubenists and the Poussinists.
D)the new role of art galleries and dealers.
E)the mishandling of a jury.
A)the rise of the art critic as a force in the art world.
B)the insanity of misjudging art.
C)the conflict between the Rubenists and the Poussinists.
D)the new role of art galleries and dealers.
E)the mishandling of a jury.
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28
The "pot of paint.....in the public's face" referred to
A)Monet's palette.
B)The Falling Rocket.
C)Renoir's thick brush strokes.
D)Degas' broken color.
A)Monet's palette.
B)The Falling Rocket.
C)Renoir's thick brush strokes.
D)Degas' broken color.
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