Deck 14: American Cinema in the 1970s
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Deck 14: American Cinema in the 1970s
1
Which of the following was emphasized in American movies in the early 1970s?
A)religious conviction
B)just war
C)moral problems in public institutions
D)all of the above
A)religious conviction
B)just war
C)moral problems in public institutions
D)all of the above
C
2
Films like The Parallax View and Three Days of the Condor reflect what kind of atmosphere?
A)love and tolerance
B)anger and rage
C)paranoia and disillusionment
D)all of the above
A)love and tolerance
B)anger and rage
C)paranoia and disillusionment
D)all of the above
C
3
What male-oriented genre stories gained a great deal of popularity in the 1970s?
A)buddy films
B)westerns
C)slapstick comedy
D)sports films
A)buddy films
B)westerns
C)slapstick comedy
D)sports films
A
4
Studios began to produce off-beat movies,entirely avoiding big-budget movies.___
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5
A major influence on the work of Steven Spielberg is
A)Walt Disney
B)D.W.Griffith
C)Stanley Kubrick
D)John Ford
A)Walt Disney
B)D.W.Griffith
C)Stanley Kubrick
D)John Ford
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6
Woody Allen's sensibility is defined by his being
A)Jewish.
B)New Yorker.
C)both a and b
D)neither a nor b
A)Jewish.
B)New Yorker.
C)both a and b
D)neither a nor b
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7
Traditionally women's status in the American film industry was tied to
A)writing scripts.
B)directing.
C)the star system.
D)costume designs.
A)writing scripts.
B)directing.
C)the star system.
D)costume designs.
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8
What is true about the movie-making techniques of the new directors of the 1970s?
A)loose,episodic structures
B)unpredictable and inconclusive endings
C)explored the complexity of character
D)all of the above
A)loose,episodic structures
B)unpredictable and inconclusive endings
C)explored the complexity of character
D)all of the above
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9
Films that were profitable in this time often were made with
A)relatively small budgets.
B)no big name stars.
C)innovative and fresh ideas.
D)all of the above
A)relatively small budgets.
B)no big name stars.
C)innovative and fresh ideas.
D)all of the above
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10
Blaxploitation films of the 1970s invariably featured anti-heroes as their main characters.___
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11
Martin Scorsese films are often imprinted with
A)tight plots.
B)logical endings.
C)inconspicuous camera use.
D)violence.
A)tight plots.
B)logical endings.
C)inconspicuous camera use.
D)violence.
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12
Which of the following is a true Blaxploitation film?
A)Sounder
B)Shaft
C)Guess Who's Coming to Dinner?
D)all of the above
A)Sounder
B)Shaft
C)Guess Who's Coming to Dinner?
D)all of the above
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13
The producer of B-films that gave many notable American directors of the 70s, including Martin Scorsese,their starts was
A)Roger Corman
B)Jack Warner
C)Robert Altman
D)none of the above
139
A)Roger Corman
B)Jack Warner
C)Robert Altman
D)none of the above
139
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14
All of the following are true of a Robert Altman film except
A)overlapping dialogue
B)optimistic view of the human condition
C)de-emphasis of plot
D)subversion of genre expectations
A)overlapping dialogue
B)optimistic view of the human condition
C)de-emphasis of plot
D)subversion of genre expectations
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15
What was the source of new American film directors in the 1970s?
A)universities with film programs
B)actors themselves
C)Europe,especially England
D)all of the above
A)universities with film programs
B)actors themselves
C)Europe,especially England
D)all of the above
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16
Robert DeNiro starred in all of the following Martin Scorsese films except
A)Raging Bull
B)Mean Streets
C)Gangs of New York
D)The King of Comedy
A)Raging Bull
B)Mean Streets
C)Gangs of New York
D)The King of Comedy
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17
Genre films of the 1970s were,given the genre cycle,often which of the following?
A)primitive
B)revisionist
C)parodic
D)all of the above
138
A)primitive
B)revisionist
C)parodic
D)all of the above
138
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18
Of Francis Ford Coppola,it is true that he
A)said "caution doesn't make for good show business"
B)failed with Finnian's Rainbow
C)made Godfather II-"an epic vision of the corruption of America"
D)all of the above
A)said "caution doesn't make for good show business"
B)failed with Finnian's Rainbow
C)made Godfather II-"an epic vision of the corruption of America"
D)all of the above
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19
Which of the following has always been a very popular subject of American movies?
A)sex
B)gambling
C)mystical experience
D)foreign cultures
A)sex
B)gambling
C)mystical experience
D)foreign cultures
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20
Movie audiences expanded as retirees,looking for something to do,began to flock to theatres.___
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21
George Lucas stuck to classical narrative conventions in American Graffiti,which ensured the movies impressive success for a young director.___
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22
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Allen's contemporary comedy of manners ___ j.One Flew Over the Cuckoo's Nest
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Allen's contemporary comedy of manners ___ j.One Flew Over the Cuckoo's Nest
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23
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Spielberg's first theatrical feature ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Spielberg's first theatrical feature ___
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24
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Friedkin's buddy cop movie ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Friedkin's buddy cop movie ___
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25
Francis Ford Coppola believed in the 1970s that exercising caution is the key to making good art and good show business.___
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26
How was sex portrayed in movies of the 70s?
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27
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Altman's view of country music ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Altman's view of country music ___
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28
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Forman's adaptation of a novel ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Forman's adaptation of a novel ___
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29
What happened to the conventions of classical cinema in the early 70s?
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30
Steven Spielberg is like European filmmakers in that his films are filled with homages and allusions to other movies,genres,and filmmakers.___
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31
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Alvidsen's optimistic blockbuster ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Alvidsen's optimistic blockbuster ___
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32
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
May's wry,witty movie ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
May's wry,witty movie ___
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33
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Francis Ford Coppola's war movie ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Francis Ford Coppola's war movie ___
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34
Most of Mel Brooks' movies,like Young Frankenstein,parody popular American genres like the horror film.___
140
140
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35
By definition the revisionist stage of the genre development cycle is ironic.___
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36
The new directors of the 1970s,like William Friedkin,were called "whiz kids" because they knew the studio system inside and out.___
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37
Were foreign directors working in America successful at portraying American life? Explain briefly.
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38
Robert Altman eschews planning his movies tightly in favor of capturing the movie.
___
___
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39
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Scorsese boxing movie ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Scorsese boxing movie ___
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40
Matching
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Mazursky's movie of loving relationship ___
a.Nashville
b.The Heartbreak Kid
c.Blume in Love
d.Raging Bull
e.Apocalypse Now
f.Manhattan
g.Sugarland Express
h.Rocky
i.The French Connection
j.One Flew Over the Cuckoo's Nest
Mazursky's movie of loving relationship ___
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41
What was the character of the newly invented "blockbuster" movie as championed by Steven Spielberg?
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42
How does the revisionist label apply to genre films of the 70s,especially the early
70s?
70s?
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43
What was the status - fictional and real - of women in Hollywood in the 70s?
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44
Where did the new directors come from and what advantages or strengths did they bring with them?
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45
Why were young audiences taken with George Lucas' Star Wars trilogy?
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