Deck 6: From Romanticism to Realism

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Question
_____ Which is an implication some derived from Charles Darwin's theories?

A) Heredity and environment influence human behavior and characteristics
B) Conscience is innate
C) Shakespeare's plays should be performed as initially intended by the playwright
D) All of the above
E) None of the above
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Question
_____ A Doll's House exemplifies realism in that:

A) Most of the characters are stereotypes who are consciously aware of their behavior
B) The play develops logically through a cause-to-effect dramatic construction
C) The play focuses on characters against a spectacular background
D) All of the above
E) None of the above
Question
_____Which artistic movement challenged neoclassicism in the late 18th and early 19th centuries?

A) Dadaism
B) Romanticism
C) Realism
D)Naturalism
Question
_____ Melodrama encouraged the development of realistic spectacle
Question
_____ Stanislavsky believed that on stage the actor should be free to improvise spontaneously
Question
_____ The independent theatre movement:

A) Staged popular melodramas on stages specially equipped for aquatic or equine effects
B) Staged public performances of cutting edge dramas by young, unpublished writers
C) Got around the censorship laws governing public performance by staging "private" performances
Question
_____ Wagner's demand for "unity of production:"

A) Sought to filter all stage expressions through a single artistic consciousness
B) Sought to demonstrate the effects of environment and heredity through realistic, "box-set" scenery
C) Sought for crowd scenes to be played by large groups of actors unified by a single purpose
Question
_____ The complexity involved in staging the spectacular effects required by melodrama was a contributing factor in:

A) Stanislavsky's work at the Moscow Art Theatre
B) The development of the German Sturm and Drang
C) The perceived need for a director to coordinate and unify stage action
D) The objection by censors to the public presentation of Ibsen's plays
Question
_____ Realism and naturalism were based on the idea that character is determined by heredity and environment
Question
_____Who is usually considered the first director, in the modern sense?

A) Konstantin Stanislavsky
B) Emile Zola
C) Richard Wagner
D) George II, duke of Saxe-Meiningen
Question
_____ Saxe-Meiningen's company was known especially for its realistic crowd scenes
Question
_____ Romanticists thought of a play as merely "a slice of life" - reality transferred to the stage.
Question
_____Ibsen's dramas were considered controversial because:

A) They sensationalized violence through elaborate spectacle
B) They focused on lower-class characters and unsavory life-styles
C) They challenged existing moral values and social norms
Question
_____ Numerous independent theatres were established all over Europe, the first of which was the Théâtre Libre in Paris.
Question
_____ Stanislavsky's "magic if" refers to:

A) A training method through which the performer could increase their physical dexterity and agility
B) A way through which the performer may imaginatively project themselves into the world of the play
C) The standard stage movement practice of performers at the Moscow Art Theatre, wherein the secondary actor moved to the center of the stage if the primary actor moved away from it
D) The practice of observing real life behavior and then transferring it directly to the stage
True/False
Question
_____ The configuration of Wagner's theatre at Bayreuth set the pattern for most 20th century theatres
Question
_____ Among other things, Freud's theories contributed to an increased awareness of subtext (the possibility of a covert meaning beneath what is overtly communicated)
Question
_____ In the play A Doll's House, Nora walks out on her husband because he won't give her any money
Question
_____ George Bernard Shaw wrote comedies for London's Independent Theatre that punctured popular prejudices and provoked audiences to reassess their values
Question
_____Which was NOT an appeal of melodrama?

A) Realistic spectacle
B) Suspense
C) Box Sets
D) The vindication of virtue
Question
Explain the concepts of Richard Wagner: what he sought to create and how he realized this goal through his production practices and the creation of his theatre at Bayreuth.
Question
Explain the 5 basic premises of the Stanislavsky system of acting and relate why such a system might be particularly effective for the performers in plays by Ibsen or Chekhov.
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Deck 6: From Romanticism to Realism
1
_____ Which is an implication some derived from Charles Darwin's theories?

A) Heredity and environment influence human behavior and characteristics
B) Conscience is innate
C) Shakespeare's plays should be performed as initially intended by the playwright
D) All of the above
E) None of the above
A
2
_____ A Doll's House exemplifies realism in that:

A) Most of the characters are stereotypes who are consciously aware of their behavior
B) The play develops logically through a cause-to-effect dramatic construction
C) The play focuses on characters against a spectacular background
D) All of the above
E) None of the above
B
3
_____Which artistic movement challenged neoclassicism in the late 18th and early 19th centuries?

A) Dadaism
B) Romanticism
C) Realism
D)Naturalism
B
4
_____ Melodrama encouraged the development of realistic spectacle
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5
_____ Stanislavsky believed that on stage the actor should be free to improvise spontaneously
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
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k this deck
6
_____ The independent theatre movement:

A) Staged popular melodramas on stages specially equipped for aquatic or equine effects
B) Staged public performances of cutting edge dramas by young, unpublished writers
C) Got around the censorship laws governing public performance by staging "private" performances
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
7
_____ Wagner's demand for "unity of production:"

A) Sought to filter all stage expressions through a single artistic consciousness
B) Sought to demonstrate the effects of environment and heredity through realistic, "box-set" scenery
C) Sought for crowd scenes to be played by large groups of actors unified by a single purpose
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
8
_____ The complexity involved in staging the spectacular effects required by melodrama was a contributing factor in:

A) Stanislavsky's work at the Moscow Art Theatre
B) The development of the German Sturm and Drang
C) The perceived need for a director to coordinate and unify stage action
D) The objection by censors to the public presentation of Ibsen's plays
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
9
_____ Realism and naturalism were based on the idea that character is determined by heredity and environment
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Unlock for access to all 22 flashcards in this deck.
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k this deck
10
_____Who is usually considered the first director, in the modern sense?

A) Konstantin Stanislavsky
B) Emile Zola
C) Richard Wagner
D) George II, duke of Saxe-Meiningen
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Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
11
_____ Saxe-Meiningen's company was known especially for its realistic crowd scenes
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k this deck
12
_____ Romanticists thought of a play as merely "a slice of life" - reality transferred to the stage.
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k this deck
13
_____Ibsen's dramas were considered controversial because:

A) They sensationalized violence through elaborate spectacle
B) They focused on lower-class characters and unsavory life-styles
C) They challenged existing moral values and social norms
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Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
14
_____ Numerous independent theatres were established all over Europe, the first of which was the Théâtre Libre in Paris.
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
15
_____ Stanislavsky's "magic if" refers to:

A) A training method through which the performer could increase their physical dexterity and agility
B) A way through which the performer may imaginatively project themselves into the world of the play
C) The standard stage movement practice of performers at the Moscow Art Theatre, wherein the secondary actor moved to the center of the stage if the primary actor moved away from it
D) The practice of observing real life behavior and then transferring it directly to the stage
True/False
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k this deck
16
_____ The configuration of Wagner's theatre at Bayreuth set the pattern for most 20th century theatres
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Unlock for access to all 22 flashcards in this deck.
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k this deck
17
_____ Among other things, Freud's theories contributed to an increased awareness of subtext (the possibility of a covert meaning beneath what is overtly communicated)
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Unlock for access to all 22 flashcards in this deck.
Unlock Deck
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18
_____ In the play A Doll's House, Nora walks out on her husband because he won't give her any money
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Unlock Deck
k this deck
19
_____ George Bernard Shaw wrote comedies for London's Independent Theatre that punctured popular prejudices and provoked audiences to reassess their values
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
20
_____Which was NOT an appeal of melodrama?

A) Realistic spectacle
B) Suspense
C) Box Sets
D) The vindication of virtue
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k this deck
21
Explain the concepts of Richard Wagner: what he sought to create and how he realized this goal through his production practices and the creation of his theatre at Bayreuth.
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22
Explain the 5 basic premises of the Stanislavsky system of acting and relate why such a system might be particularly effective for the performers in plays by Ibsen or Chekhov.
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