Deck 6: Directing
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Deck 6: Directing
1
When a director translates a written script in images, it is known as
A) visual authority
B) translation
C) scriptwriting
D) creative visualization
A) visual authority
B) translation
C) scriptwriting
D) creative visualization
D
2
An effective director must be able to
A) communicate his/her vision of a program
B) understand the capabilities of video equipment
C) direct the cameras during the production
D) none of the above
E) a, b, and c
A) communicate his/her vision of a program
B) understand the capabilities of video equipment
C) direct the cameras during the production
D) none of the above
E) a, b, and c
E
3
Varying shot sizes and camera viewpoints, and moving the subject and/or the camera are techniques that directors use to
A) focus viewer attention
B) keep the crew busy
C) communicate with engineers
D) revise the script
A) focus viewer attention
B) keep the crew busy
C) communicate with engineers
D) revise the script
A
4
During a production, a director must be able to communicate with
A) only the producer of the program
B) a wide variety of production personnel
C) the general manager of the station
D) only the talent
A) only the producer of the program
B) a wide variety of production personnel
C) the general manager of the station
D) only the talent
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5
One of the visual skills that a director must exercise is the ability to select the appropriate shots
A) to distract the viewer
B) to make talent look good
C) to guide a viewer through a scene
D) to make the audio mixer more comfortable
A) to distract the viewer
B) to make talent look good
C) to guide a viewer through a scene
D) to make the audio mixer more comfortable
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6
Directors use visual variety to help maintain viewer interest by
A) only using shots with the same size and angle
B) repeating the same shot
C) never using the same shot twice
D) variations in pace, tempo, and emphasis
A) only using shots with the same size and angle
B) repeating the same shot
C) never using the same shot twice
D) variations in pace, tempo, and emphasis
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7
Directors use these techniques to focus viewers' attention on a specific area of a shot
A) focus
B) brightness
C) motion
D) dominant figures
E) all of the above
A) focus
B) brightness
C) motion
D) dominant figures
E) all of the above
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8
Why do directors generally take shots in the most convenient, rational order?
A) it takes more time
B) it's less efficient
C) it costs more money
D) it's more efficient
A) it takes more time
B) it's less efficient
C) it costs more money
D) it's more efficient
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9
Multiple camera production allows a director to
A) instantly cut between cameras
B) see several camera viewpoints at the same time
C) spend less time in production
D) none of the above
E) a and b
A) instantly cut between cameras
B) see several camera viewpoints at the same time
C) spend less time in production
D) none of the above
E) a and b
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10
When working with talent, an effective director will strive to
A) put talent at ease
B) give talent clear instructions
C) be aware of the time limits
D) all of the above
A) put talent at ease
B) give talent clear instructions
C) be aware of the time limits
D) all of the above
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