Question 1

Which of the following is typically not included in the dialogue stem?&#10;A) Principal dialogue&#10;B) Group ADR&#10;C) Walla&#10;D) Narration&#10;E) Both b and c

Accepted Answer

Walla&#10;

Question 2

Since narration is off-screen, it is not a factor when determining visual timings.

Accepted Answer

Narration affects how viewers process visual information, so it must be considered when determining visual timings to ensure the audio and visuals are synchronized for optimal understanding and engagement.

Question 3

Group ADR differs from Walla in that it contains recognizable language.

Accepted Answer

Group ADR (Automated Dialogue Replacement) involves re-recording dialogue by the original actor after the filming process to improve audio quality or reflect dialogue changes, thus containing recognizable language. Walla, on the other hand, refers to the murmur of a crowd in the background and is typically nonspecific in language to avoid distracting from the main dialogue.

Question 4

The numbering for a line of dialogue on a recording script reflects the shot number it is associated with.

Accepted Answer

The numbering for a line of dialogue on a recording script reflects the shot number it is associated with.

Question 5

Which of the following are provided to voice talent to help them get into character for the initial dialogue sessions?&#10;A) Concept art&#10;B) Script breakdown&#10;C) Story boards&#10;D) Animatic&#10;E) A, b, and c

Accepted Answer

Voice talent is often provided with concept art, script breakdowns, and storyboards to help them understand and get into character for their performances. These materials give them insights into the visual style, narrative context, and specific scenes they will be voicing, enhancing their ability to deliver more authentic and fitting performances.

Question 6

Three preparatory beeps are required when recording principle dialogue without image.

Accepted Answer

The use of three preparatory beeps (or tones) is not a universal requirement when recording principal dialogue without image; it's a technique used in some contexts to help synchronize audio with video but is not mandatory for audio-only recordings.

Question 7

The track reader analyzes the recorded dialogue and maps out important mouth positions on an exposure sheet.

Accepted Answer

The track reader's job is to analyze the recorded dialogue for an animated film or show and then map out the corresponding mouth positions (or phonemes) on an exposure sheet, which animators use to synchronize characters' lip movements with their speech.

Question 8

Which of the following are problems associated with poorly recorded dialogue?&#10;A) Plosives&#10;B) Sibilance&#10;C) Peak distortion&#10;D) Phase issues&#10;E) All of the above

Accepted Answer

All of the options listed (plosives, sibilance, peak distortion, and phase issues) are common problems associated with poorly recorded dialogue, affecting clarity, quality, and intelligibility.

Question 9

When recording dialogue, the focus is on synchronization first and interpretation second.

Accepted Answer

When recording dialogue, the primary focus is on interpretation to ensure the performance conveys the intended emotion and meaning, while synchronization with lip movements or scene timing is also important but secondary.

Question 10

ADR is the process of replacing existing lines of dialogue.

Accepted Answer

ADR (Automated Dialogue Replacement) is a post-production process where actors re-record their lines to improve audio quality or reflect changes in the script.

Deck 3: Dialog