Deck 1: Introducing Critical Media Studies
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Deck 1: Introducing Critical Media Studies
1
MATCHING
-medium
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-medium
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
'middle', or that which comes between two things
2
MATCHING
-mass media
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-mass media
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
technologies that reach a large, distant, anonymous audience
3
MATCHING
-postmodernity
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-postmodernity
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
historical period characterized by the rise of informationalism
4
MATCHING
-convergence
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-convergence
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
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5
MATCHING
-mobility
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-mobility
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
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6
MATCHING
-fragmentation
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-fragmentation
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
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7
MATCHING
-globalization
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-globalization
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
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k this deck
8
MATCHING
-simulation
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-simulation
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
9
MATCHING
-socialization
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-socialization
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
10
MATCHING
-theory
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
-theory
A)process that shapes both what and how we know
B)historical period characterized by the rise of informationalism
C) splintering of audiences into highly specialized taste cultures
D)an 'optic' or way of seeing, explaining, and interpreting
E)'middle', or that which comes between two things
F)the generation by models of a real without origin or reality
G)tendency of media to share a common, integrated platform
H)set of forces that threaten the autonomy of the nation-state
I)technologies that reach a large, distant, anonymous audience
J)capacity of an object to be moved from place to place with ease
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
11
Which of the following ways of acquiring knowledge involves direct sensory experience?
A) somatic
B) symbolic
C) episodic
D) thematic
A) somatic
B) symbolic
C) episodic
D) thematic
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Unlock for access to all 27 flashcards in this deck.
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12
Medius, the Latin word for medium, means which of the following?
A) communication
B) technology
C) middle
D) mass
A) communication
B) technology
C) middle
D) mass
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13
Which set of terms best characterizes the audience for mass media?
A) large, distant, and specified
B) large, distant, and anonymous
C) large, immediate, and specified
D) large, immediate, and anonymous
A) large, distant, and specified
B) large, distant, and anonymous
C) large, immediate, and specified
D) large, immediate, and anonymous
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14
Who invented movable-type, mechanical printing in 1450?
A) Thomas Edison
B) Benjamin Franklin
C) Philo T. Farnsworth
D) Johannes Gutenberg
A) Thomas Edison
B) Benjamin Franklin
C) Philo T. Farnsworth
D) Johannes Gutenberg
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15
Who is credited with applying for the first television patent in 1927?
A) Thomas Edison
B) Benjamin Franklin
C) Philo T. Farnsworth
D) Johannes Gutenberg
A) Thomas Edison
B) Benjamin Franklin
C) Philo T. Farnsworth
D) Johannes Gutenberg
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16
What is that name for the historical epoch that began to emerge in the 1960s?
A) Paleozoic
B) capitalism
C) industrialism
D) postmodernity
A) Paleozoic
B) capitalism
C) industrialism
D) postmodernity
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17
Which of the following is not a characteristic of postmodernity?
A) customization
B) manufacturing
C) informationalism
D) flexible accumulation
A) customization
B) manufacturing
C) informationalism
D) flexible accumulation
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18
Which of the following concepts is associated with de-massification?
A) convergence
B) fragmentation
C) globalization
D) simulation
A) convergence
B) fragmentation
C) globalization
D) simulation
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19
Which of the following concepts accounts for the increasing specialization of media content?
A) convergence
B) fragmentation
C) globalization
D) simulation
A) convergence
B) fragmentation
C) globalization
D) simulation
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20
Which of the following concepts describes the hybridization of formerly distinct media?
A) convergence
B) fragmentation
C) globalization
D) simulation
A) convergence
B) fragmentation
C) globalization
D) simulation
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21
Which of the following concepts represents a challenge to the autonomy of the nation-state?
A) convergence
B) fragmentation
C) globalization
D) simulation
A) convergence
B) fragmentation
C) globalization
D) simulation
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22
Which concept describes the media's capacity to shape both what and how audiences know?
A) simulation
B) globalization
C) socialization
D) fragmentation
A) simulation
B) globalization
C) socialization
D) fragmentation
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23
Which of the following concepts best describes the central attitude of critical studies?
A) skeptical
B) humanistic
C) political
D) social justice
A) skeptical
B) humanistic
C) political
D) social justice
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24
Which of the following concepts best describes the central approach of critical studies?
A) skeptical
B) humanistic
C) political
D) social justice
A) skeptical
B) humanistic
C) political
D) social justice
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25
Which dimension of critical studies reflects a hermeneutics of suspicion?
A) attitude
B) approach
C) assessment
D) ambition
A) attitude
B) approach
C) assessment
D) ambition
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26
Identify and explain the five key trends animating mass media in postmodernity.
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27
Identify and explain the central attitude, approach, assessment, and ambition of critical studies.
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