Deck 15: Mannerism and the Later Sixteenth Century in Italy
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Deck 15: Mannerism and the Later Sixteenth Century in Italy
1
Mannerism involved
A) twisted forms
B) strange colors
C) ambiguous space
D) all of the choices are correct.
A) twisted forms
B) strange colors
C) ambiguous space
D) all of the choices are correct.
D
2
The patron of the Saltcellar was
A) Francis I
B) Cosimo I de' Medici
C) Eleonora of Toledo
D) Federigo Gonzaga
A) Francis I
B) Cosimo I de' Medici
C) Eleonora of Toledo
D) Federigo Gonzaga
A
3
Which is not a meaning related to the Mannerist style?
A) affectation
B) mannered
C) to the manner born
D) stylized
E) bizarre
A) affectation
B) mannered
C) to the manner born
D) stylized
E) bizarre
C
4
Giambologna was born in
A) Italy
B) Germany
C) Flanders
D) France
A) Italy
B) Germany
C) Flanders
D) France
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5
El Greco was born
A) in the Greek mainland
B) in Venice
C) in Constantinople
D) in Toledo
E) in Crete
A) in the Greek mainland
B) in Venice
C) in Constantinople
D) in Toledo
E) in Crete
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6
Martin Luther was
A) an American civil rights leader
B) a 16th-century monk
C) an artist
D) a member of the Council of Trent
A) an American civil rights leader
B) a 16th-century monk
C) an artist
D) a member of the Council of Trent
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7
Who wrote "Self-Portrait in a Convex Mirror?"
A) Parmigianino
B) Ashbery
C) Clement VII
D) Carlo Ridolfi
A) Parmigianino
B) Ashbery
C) Clement VII
D) Carlo Ridolfi
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8
Vasari's account of women artists is a reflection of
A) his feminism
B) his humanism
C) his patriarchal view of art
D) his political correctness
A) his feminism
B) his humanism
C) his patriarchal view of art
D) his political correctness
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9
One of the great ceiling painters of Mannerism
A) Tintoretto
B) Correggio
C) Michelangelo
D) El Greco
A) Tintoretto
B) Correggio
C) Michelangelo
D) El Greco
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10
A significant influence on the development of El Greco's style was
A) Tintoretto
B) Titian
C) Byzantine style
D) High Renaissance style
A) Tintoretto
B) Titian
C) Byzantine style
D) High Renaissance style
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11
The exterior of the Palazzo del Tè contains
A) triglyphs
B) metopes
C) keystones
D) rustication
E) all of the choices are correct.
A) triglyphs
B) metopes
C) keystones
D) rustication
E) all of the choices are correct.
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12
Match the work with its artist
A) Parmigianino -- the Allegory
B) Bronzino -- Saltcellar
C) Cellini -- Narcissus
D) Giambologna -- Palazzo del Tè
A) Parmigianino -- the Allegory
B) Bronzino -- Saltcellar
C) Cellini -- Narcissus
D) Giambologna -- Palazzo del Tè
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13
Veronese satisfied the Inquisition by
A) repainting his picture
B) renaming his picture
C) putting his picture in storage
D) destroying his picture
E) sending his picture out of the country
A) repainting his picture
B) renaming his picture
C) putting his picture in storage
D) destroying his picture
E) sending his picture out of the country
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14
Tintoretto painted
A) dynamic compositions
B) strong diagonals
C) serpentine curves
D) all of the choices are correct.
A) dynamic compositions
B) strong diagonals
C) serpentine curves
D) all of the choices are correct.
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15
Indulgences refer to
A) liberal child-rearing practices
B) credits against one's sins
C) the 95 theses of Martin Luther
D) the rules of the Council of Trent
A) liberal child-rearing practices
B) credits against one's sins
C) the 95 theses of Martin Luther
D) the rules of the Council of Trent
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16
Important Counter-Reformation authors include
A) Ridolfi, Teresa, and Ignatius
B) Luther, Clement VII, and Teresa
C) Teresa, John of the Cross, and Clement VII
D) John of the Cross, Teresa, and Ignatius
A) Ridolfi, Teresa, and Ignatius
B) Luther, Clement VII, and Teresa
C) Teresa, John of the Cross, and Clement VII
D) John of the Cross, Teresa, and Ignatius
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17
____________ was not a Mannerist painter.
A) Pontormo
B) Parmigianino
C) Correggio
D) Michelangelo
A) Pontormo
B) Parmigianino
C) Correggio
D) Michelangelo
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18
Serpentinata refers to
A) Cellini's lizard
B) the salamander of Francis I
C) a Mannerist pose
D) Bronzino's iconography
A) Cellini's lizard
B) the salamander of Francis I
C) a Mannerist pose
D) Bronzino's iconography
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19
Autobiographies were written in 16th-century Italy by
A) Tintoretto and Cellini
B) Vasari and Ridolfi
C) Aretino and Giorgione
D) Vasari and Cellini
A) Tintoretto and Cellini
B) Vasari and Ridolfi
C) Aretino and Giorgione
D) Vasari and Cellini
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20
Palladio used the ancient texts of
A) Vitruvius
B) Plato
C) Aristotle
D) Suetonius
A) Vitruvius
B) Plato
C) Aristotle
D) Suetonius
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21
The first Italian guidebook was written by
A) Vasari
B) Cellini
C) Palladio
D) Vitruvius
E) Ridolfi
A) Vasari
B) Cellini
C) Palladio
D) Vitruvius
E) Ridolfi
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22
Match the work with the patron
A) the Gesù -- Palladio
B) Bronzino's Eleonora of Toledo -- the king of Spain
C) Palazzo del Tè -- Federigo Gonzaga
D) Villa Rotonda - Pythagoras
A) the Gesù -- Palladio
B) Bronzino's Eleonora of Toledo -- the king of Spain
C) Palazzo del Tè -- Federigo Gonzaga
D) Villa Rotonda - Pythagoras
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23
The design of the Gesù was planned to
A) accommodate large congregations
B) satisfy the humanist tastes of the patron
C) reflect the Greek cross plan
D) show the importance of Alberti's churches
A) accommodate large congregations
B) satisfy the humanist tastes of the patron
C) reflect the Greek cross plan
D) show the importance of Alberti's churches
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24
What problem did Palladio solve in the façade of San Giorgio Maggiore?
A) how to deal with the fact that it is on an island
B) how to reconcile a high nave with lower side aisles
C) how to combine a dome with a Greek portico
D) how to relate the building to its environment
A) how to deal with the fact that it is on an island
B) how to reconcile a high nave with lower side aisles
C) how to combine a dome with a Greek portico
D) how to relate the building to its environment
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