Deck 30: Global Confrontation and Modern Life: the Quest for Cultural Identity

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Question
According to Émile Zola,people's lives are determined by two factors over which they have no control,namely

A) the economy and social status.
B) heredity and environment.
C) class and heredity.
D) the economy and environment.
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Question
According to Charles Baudelaire,the greatest job of a flâneur like himself and Édouard Manet was to

A) seduce women.
B) create poetry and art.
C) challenge authority.
D) shock the bourgeoisie.
Question
Why did Charles Baudelaire speak so disparagingly of George Sand?

A) She disguised her sexuality.
B) He despised her lack of morals.
C) She supported Louis-Napoleon.
D) He considered her to be bourgeois.
Question
Charles Baudelaire was forced to remove six poems from his book Les Fleurs du mal because they

A) criticized the French government.
B) had themes of lesbianism and vampirism.
C) presented a romanticized view of death.
D) celebrated the lives of French prostitutes.
Question
In his Haussmannization of Paris,Baron Georges-Eugène Haussmann widened Paris's streets to

A) enable more shops to be built along them.
B) prevent mobs from barricading them.
C) allow for more factories to be built in the city.
D) prevent snipers from shooting.
Question
Baron Georges-Eugène Haussmann's plan increased land dedicated to public parks in Paris by

A) 10 times.
B) 25 times.
C) 50 times.
D) 100 times.
Question
Primarily contributing to the abysmal conditions in Paris in 1848 was

A) excessive taxation.
B) the potato famine.
C) poor sanitation.
D) an outbreak of the bubonic plague.
Question
When viewers saw Édouard Manet's Le Déjeuner sur l'herbe at the Salon des Refusés,they reacted with

A) elation.
B) bemused surprise.
C) outrage.
D) indifference.
Question
Naturalism differs from literary realism in that it is more

A) objective.
B) erotic.
C) optimistic.
D) subjective.
Question
In Rigoletto,Giuseppe Verdi shows his characters' contrasting emotions by

A) using lighting to underscore feelings.
B) replacing songs with spoken words.
C) introducing discordant musical elements.
D) presenting two scenes simultaneously.
Question
Why did the Parisian workers revolt in June 1848?

A) Charles-Louis-Napoleon Bonaparte declared himself emperor.
B) Bread shortages led to massive inflation.
C) The government shut down the National Workshops.
D) The military seized control of the factories.
Question
Why did Baron Georges-Eugène Haussmann's redesign cause the working class to move outside the city?

A) Their neighborhoods were destroyed.
B) Schools were located outside the city.
C) Factories replaced their tenement housing.
D) The government built new houses for them there.
Question
In his Communist Manifesto,Karl Marx essentially called for

A) revolution by the workers.
B) stronger government control.
C) a welfare system.
D) the closing of the factories.
Question
Friedrich Engels and Karl Marx wanted to eliminate capitalism,believing it to

A) depend too heavily on governmental support.
B) generate inadequate profits.
C) be inefficient in producing products for export.
D) be inherently unfair.
Question
Viewers of Édouard Manet's Olympia were disturbed primarily by her

A) age.
B) class.
C) pose.
D) race.
Question
Charles Garnier designed the façade of the Paris Opera House to combine the Neoclassical and the Baroque to

A) satisfy liberals and nationalists.
B) highlight the best of both styles.
C) reflect a new imperial style.
D) cut expenses by using existing parts.
Question
Nationalism was based upon the values of

A) equality and freedom.
B) regional autonomy.
C) monarchial control.
D) working-class reform.
Question
George Sand challenged sexual stereotypes by

A) writing novels about female sexual desire.
B) using a man's name and dressing as a man.
C) marrying more than once.
D) having herself appointed to the French cabinet.
Question
Due to the 1848 revolutions across Europe,which group gained more rights?

A) Serbs
B) Croats
C) Jews
D) Russians
Question
Liberalism was based upon the values of

A) equality and freedom.
B) regional autonomy.
C) monarchial control.
D) working-class reform.
Question
Many people emigrated from China in the late nineteenth century to

A) escape despotic rulers.
B) attain religious freedom.
C) earn a living.
D) avoid imprisonment.
Question
In Katsushika Hokusai's The Great Wave,the distant Mount Fuji represents

A) a haven for the boats beneath the wave.
B) the immortality of the natural world.
C) the residence of the ancestors.
D) the harmonious opposite of the water.
Question
The East India Company recouped the money it spent buying Chinese products for import by

A) indenturing the Chinese for cheap labor.
B) opening gold and silver mines in India.
C) taxing the goods destined for America.
D) selling opium to the Chinese.
Question
Why did French audiences react so negatively to Richard Wagner's Tannhäuser?

A) The plot hopelessly Romantic.
B) It was performed in the German language.
C) It was a second-act dance, not a ballet.
D) The German plot inflamed French hostility.
Question
List three ways Baron Georges-Eugène Haussmann redesigned Paris,describing the rationale for these changes.
Question
Identify and explain two ways Giuseppe Verdi achieved dramatic realism in his operas.
Question
Identify and explain two ways Édouard Manet's Le Déjeuner sur l'herbe (Luncheon on the Grass)was designed not to please but to shock the French Salon-in other words,to fulfill Manet's role as a flâneur.
Question
Identify and explain three elements in Olympia that support the view that Manet designed the painting as a statement against slavery.
Question
Identify and describe the arguments Karl Marx and Friedrich Engels made against a capitalistic system.
Question
Compare the two views of nineteenth-century women that George Sand presents in her novel Lélia.
Question
Explain the differences between liberalism and nationalism,and show how these two ideologies figured into two of the conflicts that defined the latter half of the nineteenth century.
Question
Mehmet Ali presented France with an obelisk from Luxor Temple

A) for the help of the French in industrializing Egypt.
B) in gratitude for helping him become Egypt's viceroy.
C) for France's military support in his invasion of Turkey.
D) as payment for money borrowed from France.
Question
In both Two Courtesans,Inside and Outside the Display Window and Visiting (Kayoi),Suzuki Harunobu portrays one woman sitting and the other standing to

A) show one as virtuous and one as immoral.
B) symbolically represent an allegory of piety and worldliness.
C) reflect the Taoist principle of harmonious opposites.
D) balance the figures within his grid structure.
Question
To have his operas produced in Paris,Giuseppe Verdi had to

A) include a dance scene.
B) eliminate female leads.
C) reduce the orchestra's size.
D) add nationalist references.
Question
Japonisme is

A) the imitation of Japanese art.
B) the artform of ink painting.
C) the artform of woodblock printing.
D) Japanese art that imitates Western art.
Question
Which nineteenth-century artist was most enthusiastic about Japanese prints?

A) Thomas Couture
B) Gustave Caillebotte
C) Alfred Stevens
D) Vincent van Gogh
Question
How did Richard Wagner accomplished his new "music drama" with

A) song cycles.
B) rondo form.
C) multiple arias.
D) leitmotifs.
Question
Define "literary naturalism," and provide two examples in Émile Zola's works.
Question
In 1882,the United States outlawed Chinese immigration with the Chinese Exclusion Act for fear of Chinese immigrants

A) forming violent gangs.
B) taking jobs from Americans.
C) trafficking in opium.
D) creating slums.
Question
The aristocratic Jockey Club demanded that French opera have a second-act ballet to

A) celebrate French dance.
B) greet their late arrivals.
C) employ more actors.
D) pay homage to Louis XIV.
Question
Compare Japan's approach to Western contact to China's and Egypt's.
Question
Describe the role cotton played in Europe's subjugation of at least three non-European countries.
Question
Discuss the irony opium produced in British-Chinese relations.
Question
Compare a Wagner opera to an Offenbach operetta,focusing on why one was popular with the French and one was not.
Question
Compare the compositional elements of Suzuki Harunobu's Two Courtesans,Inside and Outside the Display Window and Katsushika Hokusai's The Great Wave,showing how each artist uses the Taoist principle of unity within diversity.
Question
Define "leitmotif," and explain Wagner's use of it to unify his musical drama.
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Deck 30: Global Confrontation and Modern Life: the Quest for Cultural Identity
1
According to Émile Zola,people's lives are determined by two factors over which they have no control,namely

A) the economy and social status.
B) heredity and environment.
C) class and heredity.
D) the economy and environment.
B
2
According to Charles Baudelaire,the greatest job of a flâneur like himself and Édouard Manet was to

A) seduce women.
B) create poetry and art.
C) challenge authority.
D) shock the bourgeoisie.
D
3
Why did Charles Baudelaire speak so disparagingly of George Sand?

A) She disguised her sexuality.
B) He despised her lack of morals.
C) She supported Louis-Napoleon.
D) He considered her to be bourgeois.
D
4
Charles Baudelaire was forced to remove six poems from his book Les Fleurs du mal because they

A) criticized the French government.
B) had themes of lesbianism and vampirism.
C) presented a romanticized view of death.
D) celebrated the lives of French prostitutes.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
5
In his Haussmannization of Paris,Baron Georges-Eugène Haussmann widened Paris's streets to

A) enable more shops to be built along them.
B) prevent mobs from barricading them.
C) allow for more factories to be built in the city.
D) prevent snipers from shooting.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
6
Baron Georges-Eugène Haussmann's plan increased land dedicated to public parks in Paris by

A) 10 times.
B) 25 times.
C) 50 times.
D) 100 times.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
7
Primarily contributing to the abysmal conditions in Paris in 1848 was

A) excessive taxation.
B) the potato famine.
C) poor sanitation.
D) an outbreak of the bubonic plague.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
8
When viewers saw Édouard Manet's Le Déjeuner sur l'herbe at the Salon des Refusés,they reacted with

A) elation.
B) bemused surprise.
C) outrage.
D) indifference.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
9
Naturalism differs from literary realism in that it is more

A) objective.
B) erotic.
C) optimistic.
D) subjective.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
10
In Rigoletto,Giuseppe Verdi shows his characters' contrasting emotions by

A) using lighting to underscore feelings.
B) replacing songs with spoken words.
C) introducing discordant musical elements.
D) presenting two scenes simultaneously.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
11
Why did the Parisian workers revolt in June 1848?

A) Charles-Louis-Napoleon Bonaparte declared himself emperor.
B) Bread shortages led to massive inflation.
C) The government shut down the National Workshops.
D) The military seized control of the factories.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
12
Why did Baron Georges-Eugène Haussmann's redesign cause the working class to move outside the city?

A) Their neighborhoods were destroyed.
B) Schools were located outside the city.
C) Factories replaced their tenement housing.
D) The government built new houses for them there.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
13
In his Communist Manifesto,Karl Marx essentially called for

A) revolution by the workers.
B) stronger government control.
C) a welfare system.
D) the closing of the factories.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
14
Friedrich Engels and Karl Marx wanted to eliminate capitalism,believing it to

A) depend too heavily on governmental support.
B) generate inadequate profits.
C) be inefficient in producing products for export.
D) be inherently unfair.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
15
Viewers of Édouard Manet's Olympia were disturbed primarily by her

A) age.
B) class.
C) pose.
D) race.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
16
Charles Garnier designed the façade of the Paris Opera House to combine the Neoclassical and the Baroque to

A) satisfy liberals and nationalists.
B) highlight the best of both styles.
C) reflect a new imperial style.
D) cut expenses by using existing parts.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
17
Nationalism was based upon the values of

A) equality and freedom.
B) regional autonomy.
C) monarchial control.
D) working-class reform.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
18
George Sand challenged sexual stereotypes by

A) writing novels about female sexual desire.
B) using a man's name and dressing as a man.
C) marrying more than once.
D) having herself appointed to the French cabinet.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
19
Due to the 1848 revolutions across Europe,which group gained more rights?

A) Serbs
B) Croats
C) Jews
D) Russians
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
20
Liberalism was based upon the values of

A) equality and freedom.
B) regional autonomy.
C) monarchial control.
D) working-class reform.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
21
Many people emigrated from China in the late nineteenth century to

A) escape despotic rulers.
B) attain religious freedom.
C) earn a living.
D) avoid imprisonment.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
22
In Katsushika Hokusai's The Great Wave,the distant Mount Fuji represents

A) a haven for the boats beneath the wave.
B) the immortality of the natural world.
C) the residence of the ancestors.
D) the harmonious opposite of the water.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
23
The East India Company recouped the money it spent buying Chinese products for import by

A) indenturing the Chinese for cheap labor.
B) opening gold and silver mines in India.
C) taxing the goods destined for America.
D) selling opium to the Chinese.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
24
Why did French audiences react so negatively to Richard Wagner's Tannhäuser?

A) The plot hopelessly Romantic.
B) It was performed in the German language.
C) It was a second-act dance, not a ballet.
D) The German plot inflamed French hostility.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
25
List three ways Baron Georges-Eugène Haussmann redesigned Paris,describing the rationale for these changes.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
26
Identify and explain two ways Giuseppe Verdi achieved dramatic realism in his operas.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
27
Identify and explain two ways Édouard Manet's Le Déjeuner sur l'herbe (Luncheon on the Grass)was designed not to please but to shock the French Salon-in other words,to fulfill Manet's role as a flâneur.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
28
Identify and explain three elements in Olympia that support the view that Manet designed the painting as a statement against slavery.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
29
Identify and describe the arguments Karl Marx and Friedrich Engels made against a capitalistic system.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
30
Compare the two views of nineteenth-century women that George Sand presents in her novel Lélia.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
31
Explain the differences between liberalism and nationalism,and show how these two ideologies figured into two of the conflicts that defined the latter half of the nineteenth century.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
32
Mehmet Ali presented France with an obelisk from Luxor Temple

A) for the help of the French in industrializing Egypt.
B) in gratitude for helping him become Egypt's viceroy.
C) for France's military support in his invasion of Turkey.
D) as payment for money borrowed from France.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
33
In both Two Courtesans,Inside and Outside the Display Window and Visiting (Kayoi),Suzuki Harunobu portrays one woman sitting and the other standing to

A) show one as virtuous and one as immoral.
B) symbolically represent an allegory of piety and worldliness.
C) reflect the Taoist principle of harmonious opposites.
D) balance the figures within his grid structure.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
34
To have his operas produced in Paris,Giuseppe Verdi had to

A) include a dance scene.
B) eliminate female leads.
C) reduce the orchestra's size.
D) add nationalist references.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
35
Japonisme is

A) the imitation of Japanese art.
B) the artform of ink painting.
C) the artform of woodblock printing.
D) Japanese art that imitates Western art.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
36
Which nineteenth-century artist was most enthusiastic about Japanese prints?

A) Thomas Couture
B) Gustave Caillebotte
C) Alfred Stevens
D) Vincent van Gogh
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
37
How did Richard Wagner accomplished his new "music drama" with

A) song cycles.
B) rondo form.
C) multiple arias.
D) leitmotifs.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
38
Define "literary naturalism," and provide two examples in Émile Zola's works.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
39
In 1882,the United States outlawed Chinese immigration with the Chinese Exclusion Act for fear of Chinese immigrants

A) forming violent gangs.
B) taking jobs from Americans.
C) trafficking in opium.
D) creating slums.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
40
The aristocratic Jockey Club demanded that French opera have a second-act ballet to

A) celebrate French dance.
B) greet their late arrivals.
C) employ more actors.
D) pay homage to Louis XIV.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
41
Compare Japan's approach to Western contact to China's and Egypt's.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
42
Describe the role cotton played in Europe's subjugation of at least three non-European countries.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
43
Discuss the irony opium produced in British-Chinese relations.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
44
Compare a Wagner opera to an Offenbach operetta,focusing on why one was popular with the French and one was not.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
45
Compare the compositional elements of Suzuki Harunobu's Two Courtesans,Inside and Outside the Display Window and Katsushika Hokusai's The Great Wave,showing how each artist uses the Taoist principle of unity within diversity.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
46
Define "leitmotif," and explain Wagner's use of it to unify his musical drama.
Unlock Deck
Unlock for access to all 46 flashcards in this deck.
Unlock Deck
k this deck
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Unlock Deck
Unlock for access to all 46 flashcards in this deck.