Deck 3: How an Artwork Is Built
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Unlock Deck
Sign up to unlock the cards in this deck!
Unlock Deck
Unlock Deck
1/26
Play
Full screen (f)
Deck 3: How an Artwork Is Built
1
Discuss the difference between scale and proportion. Cite examples for each.
not answered
2
The balance in Jockeys Before the Race, by the artist Edgar Degas, is:
A) symmetrical
B) asymmetrical
C) isometric
D) repetitive
A) symmetrical
B) asymmetrical
C) isometric
D) repetitive
B
3
Large Reclining Nude is the final result of this artist's long process of planning and rearranging the design of the composition.
A) Henri Matisse
B) Pablo Picasso
C) Beverly Pepper
D) Nicolas Poussin
A) Henri Matisse
B) Pablo Picasso
C) Beverly Pepper
D) Nicolas Poussin
A
4
Describe Poussin's HYPERLINK "http://sunsite.icm.edu.pl/cjackson/poussin/p-poussin3.htm"Holy Family on the Steps and discuss how he used directional forces within the picture plane.
Essay Questions
Essay Questions
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
5
Going Home illustrates this artist's skillful use of abstraction, unity and variety.
A) Jacob Lawrence
B) Pieter de Hooch
C) Suzuki Haranobu
D) Edgar Degas
A) Jacob Lawrence
B) Pieter de Hooch
C) Suzuki Haranobu
D) Edgar Degas
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
6
Which of the following occurs when equal forms, masses, or elements balance one another?
A) asymmetrical balance
B) radial symmetry
C) symmetrical balance
D) bilateral symmetry
A) asymmetrical balance
B) radial symmetry
C) symmetrical balance
D) bilateral symmetry
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
7
The result of the process of arranging, selecting and ordering is called the:
A) purpose
B) design
C) emphasis
D) direction
A) purpose
B) design
C) emphasis
D) direction
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
8
Define contrast in a composition, and give an example from the chapter to explain its purpose.
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
9
What is the difference between composition and design?
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
10
Claus Oldenburg's and Coosje van Bruggen's art, as seen in Shuttlecocks, affects us immediately by its:
A) symbolism
B) scale
C) iconography
D) color
A) symbolism
B) scale
C) iconography
D) color
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
11
Describe Jacob Lawrence's use of the principles of design in his painting HYPERLINK "http://www.phillipscollection.org/lawrence/html/going_home.html"Going Home. Which elements did he use in this work to create unity?
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
12
Repetition of similar elements in a work of art creates the illusion of:
A) shape
B) color
C) rhythm
D) line
A) shape
B) color
C) rhythm
D) line
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
13
The juxtaposition of strongly dissimilar elements is referred to as _______.
A) contrast
B) asymmetry
C) hierarchy
D) composition
A) contrast
B) asymmetry
C) hierarchy
D) composition
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
14
Ogata Korin's Cranes is a good example of the principle of:
A) insistent rhythm
B) emphasis and focal point
C) rhythm and repetition
D) emphasis and contrast
A) insistent rhythm
B) emphasis and focal point
C) rhythm and repetition
D) emphasis and contrast
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
15
Using any example from the chapter, explain how and why artists use pattern in their art works.
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
16
The organization of visual elements in a work of art is referred to as _______.
A) the composition
B) the proportion
C) the design
D) the balance
A) the composition
B) the proportion
C) the design
D) the balance
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
17
_______ is the appearance or condition of oneness in a work of art.
A) Rhythm
B) Emphasis
C) Balance
D) Unity
A) Rhythm
B) Emphasis
C) Balance
D) Unity
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
18
In _______ balance, the two sides of a composition on either side of an imaginary vertical dividing line correspond to one another in size, shape, and placement of form.
A) informal
B) symmetrical
C) asymmetrical
D) radial
A) informal
B) symmetrical
C) asymmetrical
D) radial
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
19
_______ refers to size relationships between parts of a whole.
A) probability
B) scale
C) proportion
D) chiaroscuro
A) probability
B) scale
C) proportion
D) chiaroscuro
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
20
The term "format" refers to the size and shape of a _______ picture plane.
A) three-dimensional
B) formal
C) proportioned
D) two-dimensional
A) three-dimensional
B) formal
C) proportioned
D) two-dimensional
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
21
Is knowledge of the elements of design relevant to your life? Explain, providing reasons for your
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
22
Citing artworks studied in this chapter, describe how the use of color can affect artistic balance. Choose three artworks with different color schemes to distinguish the variances.
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
23
Citing examples from the text, discuss the use of balance in both architecture and painting. What are the two different types of balance and how are they different? Can artists combine both asymmetrical and symmetrical elements in one work of art? How?
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
24
Size relationships within a work of art may express symbolic meaning. Compare and contrast Michelangelo's HYPERLINK "http://cgfa.sunsite.dk/michelan/p-michel11.htm"Pieta page 73) with the Roettgen Pieta page 74). How do the proportion variations within each sculpture affect these works differently? Why did each artist use such proportions in their works? What different interpretations were they trying to convey to the viewer?
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
25
Discuss Matisse's varying states or stages in creating Large Reclining Nude. Why was Matisse so particular in planning his composition? What was he trying to achieve? Matisse sought to make his work appear effortless and light. How has he achieved his goal in Large Reclining Nude through the elements of art and principles of design?
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck
26
What is the overall difference between the elements of art and the principles of design? Describe how the two work together to form a composition. Analyze a work of art from this chapter to describe how an artist uses both the elements and the principles to create a strong composition. Explain how your understanding of the principles of design help you in experiencing and describing this work of art.
Unlock Deck
Unlock for access to all 26 flashcards in this deck.
Unlock Deck
k this deck