Deck 4: Festival Theatre:greek, Roman and Medieval Theatre Experiences
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Unlock Deck
Sign up to unlock the cards in this deck!
Unlock Deck
Unlock Deck
1/22
Play
Full screen (f)
Deck 4: Festival Theatre:greek, Roman and Medieval Theatre Experiences
1
_____Which of the following statements is true?
A) Greek Tragedy and Old Comedy were performed only at the City Dionysia Festival
B) All surviving Old Comedy plays were written by Sophocles
C) Unlike Greek Tragedy, Old Comedy was usually concerned with current issues
D) Unlike Greek Tragedy, Old Comedy didn't use a chorus
A) Greek Tragedy and Old Comedy were performed only at the City Dionysia Festival
B) All surviving Old Comedy plays were written by Sophocles
C) Unlike Greek Tragedy, Old Comedy was usually concerned with current issues
D) Unlike Greek Tragedy, Old Comedy didn't use a chorus
C
2
_____ In Oedipus Rex Sophocles has fully defined the characters on all for levels of characterization
False
3
_____ What function did the chorus serve in the Classical Greek theatre?
A) Served as a group character to express opinion or give advice
B) Expressed the author's point of view
C) Served as the ideal spectator
D) All of the above
E) None of the above
A) Served as a group character to express opinion or give advice
B) Expressed the author's point of view
C) Served as the ideal spectator
D) All of the above
E) None of the above
D
4
_____ Which did NOT write Roman comedy?
A) Plautus
B) Seneca
C) Terence
A) Plautus
B) Seneca
C) Terence
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
5
_____ During the Middle Ages, the movement from Liturgical to Vernacular religious drama saw performances of drama move outside of the church and into larger community spaces
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
6
_____Hrosvitha, a nun, is credited as the first female dramatist
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
7
_____ Which refers to the main acting space of a Classical Greek theatre?
A) Eccyclema
B) Orchestra
C) Skene
D) Chiton
A) Eccyclema
B) Orchestra
C) Skene
D) Chiton
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
8
__________ Because of the three actor rule, the actor playing Oedipus also played which of the following parts?
A) Jocasta
B) Creon
C) The Shepherd
D) All of the above
E) None of the above
A) Jocasta
B) Creon
C) The Shepherd
D) All of the above
E) None of the above
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
9
_____ Which is NOT a writer of Classical Greek tragedy?
A) Aeschylus
B) Aristophanes
C) Euripides
D) Sophocles
A) Aeschylus
B) Aristophanes
C) Euripides
D) Sophocles
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
10
_____All drama of the medieval period was of a religious nature
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
11
_____ Greek theatrical contest rules restricted the number of speaking actors to 3 for each playwright, but did not restrict the number of characters each of those actors could play
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
12
_____ Greek theatrical performances were offered at each of the many different religious festivals honoring various Greek gods
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
13
_____ To show the corpses in a Greek play, the "eccyclema" was lowered from the roof of the "skene"
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
14
_____ Like religious play, morality plays treated biblical or saintly characters
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
15
_____ The trade guilds were responsible for providing:
A) The pageant wagon and its equipment
B) All the performers
C) A supervisor to oversee the production
D) All of the above
E) None of the above
True/False
A) The pageant wagon and its equipment
B) All the performers
C) A supervisor to oversee the production
D) All of the above
E) None of the above
True/False
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
16
_____ As variety entertainments diminished in popularity, Roman tragedy grew in popularity
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
17
_____ Like the Greek theatre which influenced it, the Roman theatre used a chorus to perform songs between the episodes
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
18
_____ Which of the following statements is true?
A) All surviving Roman comedies are adaptations of Greek plays
B) All surviving Roman comedies are based on Roman myths
C) All surviving Roman comedies are concerned with social or political satire
A) All surviving Roman comedies are adaptations of Greek plays
B) All surviving Roman comedies are based on Roman myths
C) All surviving Roman comedies are concerned with social or political satire
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
19
_____ Which statement best describes the medieval convention of "mansion and platea" staging?
A) The platea was treated as undifferentiated stage space that might be used as an extension of any particular location that a mansion represented
B) The mansion stood for one of the stations of the cross and the platea always stood for heaven
C) The platea was a symbolic device by which the audience could easily recognize the specific character who wore it and the mansion represented the house where that character lived
D) The platea was a pageant wagon and the mansion refers to the house of the town's mayor who paid for and commissioned the performance
A) The platea was treated as undifferentiated stage space that might be used as an extension of any particular location that a mansion represented
B) The mansion stood for one of the stations of the cross and the platea always stood for heaven
C) The platea was a symbolic device by which the audience could easily recognize the specific character who wore it and the mansion represented the house where that character lived
D) The platea was a pageant wagon and the mansion refers to the house of the town's mayor who paid for and commissioned the performance
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
20
_____The use of masks in Greek theatre served what purpose?
A) Facilitated the rapid change of roles when one or more actors played multiple parts
B) Helped male actors to represent female characters
C) Assisted in communication within their large theatres
D) All of the above
E) None of the above
A) Facilitated the rapid change of roles when one or more actors played multiple parts
B) Helped male actors to represent female characters
C) Assisted in communication within their large theatres
D) All of the above
E) None of the above
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
21
From the point of view of an audience member, briefly describe the differences you might observe between attending performances of Oedipus Rex and a medieval cycle play like Noah and His Sons.
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck
22
Describe how Roman comedy differs from its old comedy Greek counterpart and account for the differences you find.
Unlock Deck
Unlock for access to all 22 flashcards in this deck.
Unlock Deck
k this deck

