Deck 10: Asian and African Theatre
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Deck 10: Asian and African Theatre
1
_____Which of the following is NOT a feature of Wayang Kulit?
A) Flat leather puppets each of which have various perforations
B) "Waking" the puppets
C) Actors which interact with the puppets
D) Performances that last all night long
A) Flat leather puppets each of which have various perforations
B) "Waking" the puppets
C) Actors which interact with the puppets
D) Performances that last all night long
C
2
_____Which Japanese theatre forms uses puppets as its main characters?
A) Noh
B) Kabuki
C) Bunraku
D) Kyogen
A) Noh
B) Kabuki
C) Bunraku
D) Kyogen
C
3
_____Japanese playwrights continue to write Noh plays today
False
4
_____ In a Kabuki performance a "mie" is:
A) A seven stanza poem sung by one of the principal performers
B) The distancing device of characters speaking of themselves in third-person
C) A highly styled pose struck and held by the principal character
A) A seven stanza poem sung by one of the principal performers
B) The distancing device of characters speaking of themselves in third-person
C) A highly styled pose struck and held by the principal character
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5
_____Beijing Opera has performance conventions similar to those of European opera, only the stories are derived from Chinese myths
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6
_____In indigenous African performances, what is the least important aspect?
A) Drumming
B) Dialogue
C) Dance
D) Visual symbols
A) Drumming
B) Dialogue
C) Dance
D) Visual symbols
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7
_____Which of these is a Zen Buddhist principle that influenced Noh?
A) Ultimate peace comes through union with all being
B) Individual desire must be overcome
C) Nothing in earthly life is permanent
D) All of the above
E) None of the above
A) Ultimate peace comes through union with all being
B) Individual desire must be overcome
C) Nothing in earthly life is permanent
D) All of the above
E) None of the above
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8
_____ In African indigenous performances, audience participation is expected
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9
_____In Noh drama, the climactic moment is expressed in song
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10
_____ Colonialism had no effect on the cultural activity of North Africa
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11
_____The Strong Breeds reflects cultural traditions of what Yoruba festival?
A) Glee
B) Kyogen
C) Egungen
D) Samisen
True/False
A) Glee
B) Kyogen
C) Egungen
D) Samisen
True/False
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12
_____The staging conventions used in Strong Breed are much the same as those found in European and American theatres
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13
_____The play Shrine in the Fields is what type of Noh play?
A) A God play
B) A Woman play
C) A Madness play
D) A Demon play
A) A God play
B) A Woman play
C) A Madness play
D) A Demon play
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14
In a short essay address the differences between indigenous African theatre and its contemporary Western counterpart. In particular, address the primary forms of communication used and the role of the audience.
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15
In a long essay compare the focus of Noh drama, its stage and performance conventions to those of the medieval drama and theatre (for example, one might compare The Shrine in the Fields to Noah and His Sons and their staging practices and performance conventions). In what ways are these two forms alike? In what ways are they different? Address what you see as the basic reasons for any differences and similarities you may find.
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16
_____ Athol Fugard was the first African playwright to be honored with a Nobel prize for literature
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