Deck 14: Acting
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Deck 14: Acting
1
You may wish to ask your students to write a short essay on the differences between "on stage" and "in life" acting. How may our adjustments of character and behavior be seen as a type of social acting? In what ways does stage acting differ from this?
not answered
2
_____Stage acting requires:
A) Concentration
B) Imagination
C) A flexible, disciplined, and expressive voice and body
D) All of the above
E) None of the above
A) Concentration
B) Imagination
C) A flexible, disciplined, and expressive voice and body
D) All of the above
E) None of the above
D
3
_____To "dress the stage" means to move slightly to balance the stage picture
True
4
_____What does an actor doing scene study typically do?
A) Identifies the character's desires and actions while breaking the scenes into beats
B) Notes changes in tempo and rhythm that the text and type of interaction provides
C) Notes how the dramatic action develops in different types of plays
D) All of the above
E) None of the above
A) Identifies the character's desires and actions while breaking the scenes into beats
B) Notes changes in tempo and rhythm that the text and type of interaction provides
C) Notes how the dramatic action develops in different types of plays
D) All of the above
E) None of the above
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5
_____ Film actors have greater control over shaping their performances than do stage actors
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6
_____What does an actor need to know to understand the role for which he or she has been cast?
A) How the role relates to the others in the play
B) The scripts themes and implied meanings
C) Which character traits are necessary within the dramatic action
D) All of the above
E) None of the above
True/False
A) How the role relates to the others in the play
B) The scripts themes and implied meanings
C) Which character traits are necessary within the dramatic action
D) All of the above
E) None of the above
True/False
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7
???_____ To "endow" an object means to give it an emotional significance and value from the character's perspective
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8
_____The term "cue lines" refers to knowing what another actor is going to say just before it is your turn to speak
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9
_____ An action is "cheated" if:
A) It is done by a performer standing as far upstage as possible facing directly downstage
B) It is done by two actors "sharing a scene" who are involved in honest "give and take"
C) It isn't really done, but instead is faked through careful timing and positioning of the actors
D) All of the above
E) None of the above
A) It is done by a performer standing as far upstage as possible facing directly downstage
B) It is done by two actors "sharing a scene" who are involved in honest "give and take"
C) It isn't really done, but instead is faked through careful timing and positioning of the actors
D) All of the above
E) None of the above
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10
_____A "planted prop" is one that must not be referred to or moved in any manner
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11
_____Which accurately identifies the 4 levels of characterization?
A) Intelligence, personality, social status, economic status
B) Biological, sociological, psychological, ethical
C) Physical, mental, spiritual, moral
D) Biological, personal, social, religious
A) Intelligence, personality, social status, economic status
B) Biological, sociological, psychological, ethical
C) Physical, mental, spiritual, moral
D) Biological, personal, social, religious
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12
_____An actor only needs to understand his or her own role and not be concerned with the others
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13
You may wish to ask your students to write a short essay about the differences between acting for film and acting for the stage. Have them consider the differences between the two and the unique challenges that face the actor working in both mediums.
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14
_____Most actor's vocal and movement training begins by developing an understanding of how the voice and body work, and by releasing unnecessary tension or inhibitions
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