Unlike the Soviet Montage Filmmakers of the 1920s, the Italian

Unlike the Soviet Montage filmmakers of the 1920s, the Italian Neorealists were

A) opponents of Communism and defenders of liberal Western democracy.
B) experienced filmmakers who had studied Hollywood and European film traditions.
C) dedicated to experimentation and innovation in editing.
D) inclined to use highly subjective styles, including distorted imagery.