The power of montage, as expressed by Soviet filmmakers of the 1920s, lies in its ability to

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Soviet filmmakers of the 1920s believed that montage could be used to manipulate the viewer's perception and understanding, often advocating for the use of jarring and unexpected cuts in order to provoke an emotional response. This technique was seen as a way to subvert traditional narrative forms and disrupt the viewer's expectations, ultimately leading to a more politically engaged and revolutionary cinema.

The Power of Montage, as Expressed by Soviet Filmmakers of the 1920s