Cinematographer Gregg Toland achieved a high degree of cinematic realism in Citizen Kane (1941) through the use of lighting, deep-space composition, and

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Cinematographer Gregg Toland achieved a high degree of cinematic realism in Citizen Kane through the use of deep-focus cinematography, where both the foreground and background are in sharp focus, creating a greater sense of depth and realism. Additionally, he used innovative lighting techniques and deep-space composition to further enhance the film's visual impact. While framing and editing were also important elements in Citizen Kane, they did not contribute as significantly to the film's realism as Toland's use of deep-focus cinematography. Location-shooting and soft focus were not major factors in achieving the cinematic realism in Citizen Kane.

Cinematographer Gregg Toland Achieved a High Degree of Cinematic Realism