Which of the following films would be considered part of the self-reflexive strain of experimental cinema?

Question

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A film in which a filmmaker records daily scenes of his own life in a fragmented, oblique fashion is considered part of the self-reflexive strain of experimental cinema because it turns the camera on the act of filmmaking itself and questions the medium's relationship to reality. This creates a sense of self-awareness within the film, as the filmmaker is reflecting upon their own role in creating the work.

Which of the Following Films Would Be Considered Part of the Self-Reflexive