Because most movies seek to engage viewers' emotions and transport them inside the world that is presented on-screen, the visual vocabulary of film is designed to
A) play on the same instincts that we use to navigate and interpret the visual and aural information of our "real life."
B) work against those same instincts that we use to navigate and interpret the visual and aural information of our "real life."
C) refer to something else, far outside our usual understanding of "real life."
D) alienate or distance viewers from what they are watching.
E) cause disorientation and confusion in viewers.
Correct Answer:
Verified
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