The composers of the Second Viennese School believed that the chromaticism of Wagner led them to:

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The composers of the Second Viennese School, including Arnold Schoenberg, Alban Berg, and Anton Webern, believed that the extreme chromaticism of Wagner and late Romanticism had led to a breakdown of tonality. They sought to create a new musical language that abandoned the traditional tonal system and instead emphasized atonality, serialism, and other techniques that allowed for greater harmonic freedom. This approach was a major influence on modern and contemporary art music, and helped pave the way for later developments like electronic and aleatoric music.

The Composers of the Second Viennese School Believed That the Chromaticism