Name the director who developed several properties in direct opposition to the Production Code Administration, ultimately rendering the code irrelevant.

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Otto Preminger was a director who openly challenged the Production Code Administration by including controversial themes and scenes in his films. His films such as "The Moon is Blue" (1953) and "Anatomy of a Murder" (1959) were initially denied Production Code approval for their content, but Preminger released them anyway and they were successful, leading to the eventual breakdown of the Production Code.

Name the Director Who Developed Several Properties in Direct Opposition