
How is Modernism evident in literature and the arts between 1870 and 1914? How do these literary and artistic products reflect the political and social developments of the age? How did Modernism in literature and the visual arts reflect changes in the goals and underlying assumptions about the nature and role of artistic endeavor between the 1860s and 1914? Were there links between these changes and those in scientific thought and general social conditions? If so, what? If not, why not?
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