Art historians regard James Ensor's painting Christ's Entry into Brussels in 1889 as his critical response to which contemporary work?
A) Toulouse-Lautrec, At the Moulin Rouge
B) Renoir, Dance at Le Moulin de la Galette
C) Gauguin, Where Do We Come From?
D) Seurat, A Sunday on La Grande Jatte
Correct Answer:
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