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Art Historians Regard James Ensor's Painting Christ's Entry into Brussels

Question 35

Multiple Choice

Art historians regard James Ensor's painting Christ's Entry into Brussels in 1889 as his critical response to which contemporary work?


A) Toulouse-Lautrec, At the Moulin Rouge
B) Renoir, Dance at Le Moulin de la Galette
C) Gauguin, Where Do We Come From?
D) Seurat, A Sunday on La Grande Jatte

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