Unlike the Soviet Montage Filmmakers of the 1920s,the Italian Neorealists

Unlike the Soviet Montage filmmakers of the 1920s,the Italian Neorealists were

A) opponents of filming outside the studio and wanted to craft intricate realistic sets.
B) experienced filmmakers who had studied Hollywood and European film traditions and knew each other.
C) dedicated to experimentation and innovation in editing,but worried about censorship by the Italian government under Mussolini.
D) inclined to use highly subjective styles,reminiscent of Impressionism,including distorted imagery.