Giotto Di Bondone's the Lamentation (Figure 6

Question 27

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Giotto di Bondone's The Lamentation (figure 6.15), created in fresco, with Jan van Eyck's The Annunciation (figure 6.18A), created in oil, in terms of color and simulated texture. How do these characteristics of the different paints affect how the artists were able to convey a particular message? Giotto di Bondone's The Lamentation (figure 6.15), created in fresco, with Jan van Eyck's The Annunciation (figure 6.18A), created in oil, in terms of color and simulated texture. How do these characteristics of the different paints affect how the artists were able to convey a particular message? Giotto di Bondone's The Lamentation (figure 6.15), created in fresco, with Jan van Eyck's The Annunciation (figure 6.18A), created in oil, in terms of color and simulated texture. How do these characteristics of the different paints affect how the artists were able to convey a particular message?

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