Yinka Shonibare MBE's the Swing (After Fragonard) (Figure 21

Yinka Shonibare MBE's The Swing (After Fragonard) (figure 21.3A) is Postmodern because it:

A) Appropriates Dutch art and rejects globalization
B) Incorporates gender themes and questions the importance of the artist
C) Is an installation that includes sculpture
D) Questions the originality of art and uses diverse media