The Cases of Dora (Ida Bauer) and Emma Von Eckstein

The cases of Dora (Ida Bauer) and Emma von Eckstein suggest that as Freud constructed his depth psychology in the wake of his "discovery" of the Oedipus complex, he:

A) came to ignore or depreciate the role played by their environmental circumstances in making his patients unhappy
B) came to trust what his patients told him, ceasing to push for "deeper" revelations
C) gradually gave up his emphasis on sexuality for a greater appreciation of the ego's autonomous power
D) placed less and less emphasis on the hereditary basis of personality