In photographer Francesca Woodman's self-portraits, she often appeared blurred through a combination of long exposures and her own movement. Rather than capturing herself exactly as she appeared in front of the camera, which could have easily been achieved with a faster shutter speed, her abstracted body was placed in front of a steady background in order to visualize her emotional truth. Woodman's use of blur is similar to the use of double exposure by ____________ in ____________.
A) Pablo Picasso; Les Demoiselles d'Avignon
B) Dziga Vertov; Man with a Movie Camera
C) John Haddock; Wang Weilen - Screenshot Series
D) Yves Klein; Anthropometry of the Blue Period
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