Art critic TJ Demos writes that Diana Birnaum's Technology/Transformation: Wonder Woman (1978) moved beyond appropriation and feminist cultural critique of mass culture imagery to demonstrate ____________.
A) the ways in which we are engaged by advertisements that recognize our reflexive awareness of the conditions of production
B) a direct critique of older models of addressing audiences as being outdated
C) Bertolt Brecht's distantiation
D) the transformative potential of video as an expressive medium during the form's early years
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