In the mid-1990s, when singer David Young moved into Hancock Park, a quiet, affluent neighborhood in Los Angeles, he painted the house and gate white and lined the front lawn with nineteen white replicas of Michelangelo's David (1501-1504) . While Young had personal reasons for installing them that speak to his genuine appreciation for this piece, his neighbors did not appreciate his use of ____________ in postmodern architecture.
A) kitsch
B) hyperreality
C) simulation
D) irony
Correct Answer:
Verified
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