Thomasson tells us that "I have argued elsewhere that the ontological status of paintings, sculptures, symphonies and other familiar kinds of art is at bottom established stipulatively by the beliefs and practices of those who ground and reground the reference of the relevant sortal terms."

Question

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Thomasson argues that the ontological status of art is established by the beliefs and practices of those who use the relevant sortal terms.

Thomasson Tells Us That "I Have Argued Elsewhere That the Ontological