Some commentators argued that the Public Works of Arts Projects (PWAP) of 1933-1943 often resulted in murals that…

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Many murals produced under the PWAP tended to present California history from an Anglo American perspective that neglected the contributions of other groups, including Native Americans, African Americans, and Mexican Americans. Critics argued that this homogenized version of history perpetuated racist and exclusionary attitudes. While some PWAP murals did celebrate specific communities or historical events, overall the program's emphasis on national unity often resulted in erasing the diversity of California's past.

Some Commentators Argued That the Public Works of Arts Projects